Zralá symfonická tvorba Miloslava Kabeláče

Abstract

Cilem pnice je podat pokus 0 analyticke uchopenf poslednfch tff symfonif Miloslava Kabehice (1908-79), a to predevsfm z modalnmo aspektu (modalita, kompozice na zaklade modli, vztah mezi modalitou a tonalitou, neoktavove mody). Dale je venovana pozomost textovym elementum skladeb, vztahem mezi hudbou a slovem v kompozici, forme syrnfonif a dalSfm kompozicnfm postupum zrale Kabelacovy tvorby.

The purpose of this diploma paper is to analyse last three symphonies of Miloslav Kabelac (1908-79) foremost from modal point of view (modality, composition based on modes, rapport between modality and tonality, non-octave modes). Attention is further paid to text elements of composition, to rapport between music and word, to symphonic form and other composition technique of Kabeldc's mature works.