| dc.contributor.advisor | Ottlová, Marta | |
| dc.creator | Kolář, František | |
| dc.date.accessioned | 2017-04-20T11:30:23Z | |
| dc.date.available | 2017-04-20T11:30:23Z | |
| dc.date.issued | 2009 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/26338 | |
| dc.description.abstract | Cilem pnice je podat pokus 0 analyticke uchopenf poslednfch tff symfonif Miloslava Kabehice (1908-79), a to predevsfm z modalnmo aspektu (modalita, kompozice na zaklade modli, vztah mezi modalitou a tonalitou, neoktavove mody). Dale je venovana pozomost textovym elementum skladeb, vztahem mezi hudbou a slovem v kompozici, forme syrnfonif a dalSfm kompozicnfm postupum zrale Kabelacovy tvorby. | cs_CZ |
| dc.description.abstract | The purpose of this diploma paper is to analyse last three symphonies of Miloslav Kabelac (1908-79) foremost from modal point of view (modality, composition based on modes, rapport between modality and tonality, non-octave modes). Attention is further paid to text elements of composition, to rapport between music and word, to symphonic form and other composition technique of Kabeldc's mature works. | en_US |
| dc.language | Čeština | cs_CZ |
| dc.language.iso | cs_CZ | |
| dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
| dc.title | Zralá symfonická tvorba Miloslava Kabeláče | cs_CZ |
| dc.type | diplomová práce | cs_CZ |
| dcterms.created | 2009 | |
| dcterms.dateAccepted | 2009-09-17 | |
| dc.description.department | Institute of Musicology | en_US |
| dc.description.department | Ústav hudební vědy | cs_CZ |
| dc.description.faculty | Faculty of Arts | en_US |
| dc.description.faculty | Filozofická fakulta | cs_CZ |
| dc.identifier.repId | 28024 | |
| dc.title.translated | The mature symphonic work of Miloslav Kabeláč | en_US |
| dc.contributor.referee | Kordík, Pavel | |
| dc.identifier.aleph | 001130919 | |
| thesis.degree.name | Mgr. | |
| thesis.degree.level | magisterské | cs_CZ |
| thesis.degree.discipline | Hudební věda | cs_CZ |
| thesis.degree.discipline | Music Studies | en_US |
| thesis.degree.program | Obecná teorie a dějiny umění a kultury | cs_CZ |
| thesis.degree.program | Theory and History of Art and Culture | en_US |
| uk.thesis.type | diplomová práce | cs_CZ |
| uk.taxonomy.organization-cs | Filozofická fakulta::Ústav hudební vědy | cs_CZ |
| uk.taxonomy.organization-en | Faculty of Arts::Institute of Musicology | en_US |
| uk.faculty-name.cs | Filozofická fakulta | cs_CZ |
| uk.faculty-name.en | Faculty of Arts | en_US |
| uk.faculty-abbr.cs | FF | cs_CZ |
| uk.degree-discipline.cs | Hudební věda | cs_CZ |
| uk.degree-discipline.en | Music Studies | en_US |
| uk.degree-program.cs | Obecná teorie a dějiny umění a kultury | cs_CZ |
| uk.degree-program.en | Theory and History of Art and Culture | en_US |
| thesis.grade.cs | Velmi dobře | cs_CZ |
| thesis.grade.en | Very good | en_US |
| uk.abstract.cs | Cilem pnice je podat pokus 0 analyticke uchopenf poslednfch tff symfonif Miloslava Kabehice (1908-79), a to predevsfm z modalnmo aspektu (modalita, kompozice na zaklade modli, vztah mezi modalitou a tonalitou, neoktavove mody). Dale je venovana pozomost textovym elementum skladeb, vztahem mezi hudbou a slovem v kompozici, forme syrnfonif a dalSfm kompozicnfm postupum zrale Kabelacovy tvorby. | cs_CZ |
| uk.abstract.en | The purpose of this diploma paper is to analyse last three symphonies of Miloslav Kabelac (1908-79) foremost from modal point of view (modality, composition based on modes, rapport between modality and tonality, non-octave modes). Attention is further paid to text elements of composition, to rapport between music and word, to symphonic form and other composition technique of Kabeldc's mature works. | en_US |
| uk.publication.place | Praha | cs_CZ |
| uk.grantor | Univerzita Karlova, Filozofická fakulta, Ústav hudební vědy | cs_CZ |
| dc.identifier.lisID | 990011309190106986 | |
