Nebo a peklo v človeku: poetika Rudolfa Slobodu v Astorke Korzo '90 v Bratislave

Abstract

Cieľom tejto práce je predstaviť prozaika Rudolfa Slobodu a jeho kľúčovú spoluprácu s divadlom Astorka Korzo '90 v Bratislave. Umelecký štýl tohto divadla je postavený na hrane medzi humorom a vážnosťou. Groteskné situácie plynú zo spontánneho herectva, ktoré je založené na podobnom princípe vyvažovania týchto protikladov. Táto práca sa zameriava na analýzu kreatívneho dialógu medzi autorom Rudolfom Slobodom a režisérom Jurajom Nvotom. Herečka Zita Furková požiadala Rudolfa Slobodu, aby hru Armagedon na Grbe napísal ako monodrámu priamo pre ňu, príchodom Juraja Nvotu vznikla dlhšia hra pre viac postáv. Furková stvárňuje hlavnú protagonistku Kláru, ktorá je postavená na autorových spomienkach na vlastnú matku. Práca je rozdelená do šiestich kapitol. Prvá kapitola sa zameriava na osobnosť Rudolfa Slobodu ako uznávaného prozaika a rodiaceho sa dramatika. Druhá kapitola sa zameriava na anti-hrdinstvo Slobodových prozaických, ale i dramatických protagonistov, a skúma koncept hrdinstva v dráme deväťdediatych rokov dvadsiateho storočia. Tretia kapitola sa zameriava na vznik samotného textu Armagedon na Grbe, a počiatok tvorivej spolupráce medzi dramatikom Slobodom, režisérom Nvotom a herečkou-iniciátorkou Zitou Furkovou. Štvrtá kapitola interpretujedramatický text hry, piata kapitola sa zameriava na samotnú...

This work deals with the poetics of Slovak playwright Rudolf Sloboda on stage of the theatre Astorka Korzo '90. The artistic style of this theatre is based on the ambiguity between humour and seriousness, the grotesque situations rise from the spontaneity of acting combined with sense of humour and serious elements. This work aims to analyse the unique creative dialogue between Rudolf Sloboda as an author and Juraj Nvota as a director of his plays. Rudolf Sloboda was asked to write his first play, Armagedon na Grbe (Armageddon at Grb), for Zita Furková, meant as a monodrama for her. Later, with the involvement of Juraj Nvota, it became a longer play for more actors. Furková plays the main protagonist Klára, based on Sloboda's memories of his own mother. This work is devided into six chapters, the first one focuses on the persona of Rudolf Sloboda, being a well-known fiction writer and new-born playwright. The second chapter deals with anti-heroism of Sloboda's protagonists and the concept of heroism in the theatre of the 1990's. The third chapter deals with the origins of Armageddon at Grb as a text and the creative process between Sloboda the writer, Furková the iniciator and Nvota the director. The fourth chapter interprets Armageddon at Grb as a text and the fifth chapter focuses on its staging in...