| dc.contributor.advisor | Tichá, Libuše | |
| dc.creator | Klimešová, Petra | |
| dc.date.accessioned | 2017-06-01T14:48:51Z | |
| dc.date.available | 2017-06-01T14:48:51Z | |
| dc.date.issued | 2015 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/79090 | |
| dc.description.abstract | Summary: Without a doubt, Hans Krása belongs amongst the most important figures in Czech music. In my thesis, I would like to focus on his opera for children, Brundibar, which represents an important bridge between free cultural expression and life behind the walls at the Terezin concentration camp. Clearly, it will be fruitful to compare both the Prague and Terezin versions of this piece. With this work, I would like to delve into the personality of the composer, his output, and musical life in the Terezin ghetto. Key words: Analysis, Brundibar, holocaust, interpretation, opera, orchestra score, piano reduction, Terezin Ghetto, Terezin Initiative. | cs_CZ |
| dc.description.abstract | Summary: Without a doubt, Hans Krása belongs amongst the most important figures in Czech music. In my thesis, I would like to focus on his opera for children, Brundibar, which represents an important bridge between free cultural expression and life behind the walls at the Terezin concentration camp. Clearly, it will be fruitful to compare both the Prague and Terezin versions of this piece. With this work, I would like to delve into the personality of the composer, his output, and musical life in the Terezin ghetto. Key words: Analysis, Brundibar, holocaust, interpretation, opera, orchestra score, piano reduction, Terezin Ghetto, Terezin Initiative. | en_US |
| dc.language | Čeština | cs_CZ |
| dc.language.iso | cs_CZ | |
| dc.publisher | Univerzita Karlova, Pedagogická fakulta | cs_CZ |
| dc.subject | Analýza | cs_CZ |
| dc.subject | Brundibár | cs_CZ |
| dc.subject | holocaust | cs_CZ |
| dc.subject | interpretace | cs_CZ |
| dc.subject | klavírní výtah | cs_CZ |
| dc.subject | opera | cs_CZ |
| dc.subject | partitura | cs_CZ |
| dc.subject | terezínské ghetto | cs_CZ |
| dc.subject | Terezínská iniciativa | cs_CZ |
| dc.subject | Analysis | en_US |
| dc.subject | Brundibar | en_US |
| dc.subject | holocaust | en_US |
| dc.subject | interpretation | en_US |
| dc.subject | opera | en_US |
| dc.subject | orchestra score | en_US |
| dc.subject | piano reduction | en_US |
| dc.subject | Terezin Ghetto | en_US |
| dc.subject | Terezin Initiative | en_US |
| dc.title | Hans Krása a jeho opera pro děti Brundibár | cs_CZ |
| dc.type | diplomová práce | cs_CZ |
| dcterms.created | 2015 | |
| dcterms.dateAccepted | 2015-09-08 | |
| dc.description.department | Katedra hudební výchovy | cs_CZ |
| dc.description.faculty | Pedagogická fakulta | cs_CZ |
| dc.description.faculty | Faculty of Education | en_US |
| dc.identifier.repId | 135256 | |
| dc.title.translated | Hans Krása and his opera for children Brundibár | en_US |
| dc.contributor.referee | Hurníková, Kateřina | |
| dc.identifier.aleph | 002025828 | |
| thesis.degree.name | Mgr. | |
| thesis.degree.level | navazující magisterské | cs_CZ |
| thesis.degree.discipline | Učitelství všeobecně vzdělávacích předmětů pro základní školy a střední školy hudební výchova - hra na nástroj | cs_CZ |
| thesis.degree.discipline | Training Teachers of General Subjects at Lower and Higher Secondary Schools Music - Musical Instrument | en_US |
| thesis.degree.program | Učitelství pro střední školy | cs_CZ |
| thesis.degree.program | Teacher Training for Secondary Schools | en_US |
| uk.thesis.type | diplomová práce | cs_CZ |
| uk.taxonomy.organization-cs | Pedagogická fakulta::Katedra hudební výchovy | cs_CZ |
| uk.faculty-name.cs | Pedagogická fakulta | cs_CZ |
| uk.faculty-name.en | Faculty of Education | en_US |
| uk.faculty-abbr.cs | PedF | cs_CZ |
| uk.degree-discipline.cs | Učitelství všeobecně vzdělávacích předmětů pro základní školy a střední školy hudební výchova - hra na nástroj | cs_CZ |
| uk.degree-discipline.en | Training Teachers of General Subjects at Lower and Higher Secondary Schools Music - Musical Instrument | en_US |
| uk.degree-program.cs | Učitelství pro střední školy | cs_CZ |
| uk.degree-program.en | Teacher Training for Secondary Schools | en_US |
| thesis.grade.cs | Výborně | cs_CZ |
| thesis.grade.en | Excellent | en_US |
| uk.abstract.cs | Summary: Without a doubt, Hans Krása belongs amongst the most important figures in Czech music. In my thesis, I would like to focus on his opera for children, Brundibar, which represents an important bridge between free cultural expression and life behind the walls at the Terezin concentration camp. Clearly, it will be fruitful to compare both the Prague and Terezin versions of this piece. With this work, I would like to delve into the personality of the composer, his output, and musical life in the Terezin ghetto. Key words: Analysis, Brundibar, holocaust, interpretation, opera, orchestra score, piano reduction, Terezin Ghetto, Terezin Initiative. | cs_CZ |
| uk.abstract.en | Summary: Without a doubt, Hans Krása belongs amongst the most important figures in Czech music. In my thesis, I would like to focus on his opera for children, Brundibar, which represents an important bridge between free cultural expression and life behind the walls at the Terezin concentration camp. Clearly, it will be fruitful to compare both the Prague and Terezin versions of this piece. With this work, I would like to delve into the personality of the composer, his output, and musical life in the Terezin ghetto. Key words: Analysis, Brundibar, holocaust, interpretation, opera, orchestra score, piano reduction, Terezin Ghetto, Terezin Initiative. | en_US |
| uk.file-availability | V | |
| uk.publication.place | Praha | cs_CZ |
| uk.grantor | Univerzita Karlova, Pedagogická fakulta, Katedra hudební výchovy | cs_CZ |
| dc.identifier.lisID | 990020258280106986 | |
