Sémioprostor Self v diskurzu webových stránek SuicideGirls.com a facebookové skupiny Suicide Girls Czech

Abstract

(abstrakt) Erotickou stranku SuicideGirls.com lze chapat v kontextu tzv. striptyzove kultury, jak sociolog Brian McNair v roce 2002 pojmenoval trend medialnich obsahů a formatů (napřiklad reality show) otevřeně artikulovat tema lidske sexuality. S obraznym i doslovnym odhalovanim sebe sama však dochazi k diskurzivni konstrukci intimity coby vyrazu praveho self. V medializovane nahotě se odhaluje nejen tělo, ale i osobnost, z reprezentace se stava sebeprezentace, jak Feona Attwood rozviji McNairovy teze slovy o sexualizaci kultury. SuicideGirls se prezentuji předevšim na soft-pornografickych fotografiich svou alternativni stylizaci, nejčastěji tetovanim a piercingem. Zatimco napřiklad představitelka feministicke kritiky Megan Jean Harlow (2009) pojima tyto stylotvorne prvky jako vyraz osobiteho jednani, podle Shoshany Magnet (2007) softpornograficky způsob jejich reprezentace redukuje jinakost SuicideGirls na pouhe ozvlaštněni standardni pornografie. Semioticka a psychoanalyticka interpretace vyrazovych prvků SuicideGirls.com se zaměřuje pravě na soft-pornografickou symbolizaci jimi vnimane jedinečnosti. Stranka funguje na principu placeneho přistupu, obsah vytvařeji na bazi "prosumption" samy jeji uživatelky. Koncepce stadia zrcadla Jacquese Lacana přibližuje principy identifikace subjektu s...

The erotic website SuicideGirls.com can be viewed in the context of striptease culture. The term was coined by the sociologist Brian McNair in 2002 in order to describe the tendency to openly theme the human sexuality within media content. Simultaneously with the metaphorical and literal exposing, the intimacy is being constructed within the discourse as an expression of true self and, as Feona Attwood develops McNair's claims speaking about sexualization of culture, the representation becomes the selfrepresentation. The SuicideGirls present themselves especially on soft-pornographic photographs through a significant alternative stylization, mostly tattoos and piercing. While for example Megan Jean Harlow (2009), a feminist critique representative, considers the style-creating elements of tattoo as an expression of distinctive practices, according to Shoshana Magnet (2007) the soft-pornographic mode of representation reduces the distinctiveness of SuicideGirls to a certain form of standard pornography. The semiotic and psychoanalytical interpretation of SuicideGirls.com focuses on softpornographic symbolic of the distinctiveness perceived by the community. Jacques Lacan's mirror stage concept explains the principles of subject's identification with his or her specular image. It is also important to...