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An Attempt to Conceive the Role of the Sacred in Music. The Character and Application of the Sacred in the Music of Richard Wagner
dc.contributor.advisorBalabán, Milan
dc.creatorKlodnerová, Lenka
dc.date.accessioned2019-09-20T07:47:34Z
dc.date.available2019-09-20T07:47:34Z
dc.date.issued2009
dc.identifier.urihttp://hdl.handle.net/20.500.11956/20365
dc.description.abstractIn my thesis An Attempt to Conceive the Role of the Sacred in Music. The Character and Application of the Sacred in the Music of Richard Wagner - I aim to search for connecting points as well as differences between the field of religion (and theology) and the field of music (and the art as such). I find the religious experience of human being to be relative to the aesthetic experience in its fullness. However, there is a relation of analogy, not identity, between those. If we attempt to define the role of the sacred in music, we have to include the historical context, theological, philosophical and aesthetical issues and after having researched them, we are obliged to get rid of them, to become free to approach the depth of the problem. For more detailed inquiry I chose the music of Richard Wagner. The reason for my choice was, that his music is full of contradicting influences and non musical stuff included, so that it can serve as a perfect example of the problematics. We have to pursue the whole way of digging into the problem and the conclusions we make are a result of a complex inquiry of the field in our scope. The misleading moments in Wagner ́s life and work have to be named and explained, so that we can arrive at the real treasure of the music, hidden under the cover of different meanings and...en_US
dc.languageČeštinacs_CZ
dc.language.isocs_CZ
dc.publisherUniverzita Karlova, Evangelická teologická fakultacs_CZ
dc.titlePokus o postižení role posvátna v hudbě. Povaha a uplatnění posvátna v hudbě Richarda Wagneracs_CZ
dc.typedizertační prácecs_CZ
dcterms.created2009
dcterms.dateAccepted2009-04-27
dc.description.departmentEvangelická teologická fakultacs_CZ
dc.description.departmentProtestant theological facultyen_US
dc.description.facultyEvangelická teologická fakultacs_CZ
dc.description.facultyProtestant Theological Facultyen_US
dc.identifier.repId18399
dc.title.translatedAn Attempt to Conceive the Role of the Sacred in Music. The Character and Application of the Sacred in the Music of Richard Wagneren_US
dc.contributor.refereeŠtampach, Ivan
dc.contributor.refereeNekvasil, Miloslav
dc.identifier.aleph001127611
thesis.degree.nameTh.D.
thesis.degree.leveldoktorskécs_CZ
thesis.degree.disciplineHistorická teologie a teologie náboženstvícs_CZ
thesis.degree.disciplineHistorical Theology and Theology of Religionsen_US
thesis.degree.programTheologyen_US
thesis.degree.programTeologiecs_CZ
uk.thesis.typedizertační prácecs_CZ
uk.taxonomy.organization-csEvangelická teologická fakulta::Evangelická teologická fakultacs_CZ
uk.taxonomy.organization-enProtestant Theological Faculty::Protestant theological facultyen_US
uk.faculty-name.csEvangelická teologická fakultacs_CZ
uk.faculty-name.enProtestant Theological Facultyen_US
uk.faculty-abbr.csETFcs_CZ
uk.degree-discipline.csHistorická teologie a teologie náboženstvícs_CZ
uk.degree-discipline.enHistorical Theology and Theology of Religionsen_US
uk.degree-program.csTeologiecs_CZ
uk.degree-program.enTheologyen_US
thesis.grade.csProspěl/acs_CZ
thesis.grade.enPassen_US
uk.abstract.enIn my thesis An Attempt to Conceive the Role of the Sacred in Music. The Character and Application of the Sacred in the Music of Richard Wagner - I aim to search for connecting points as well as differences between the field of religion (and theology) and the field of music (and the art as such). I find the religious experience of human being to be relative to the aesthetic experience in its fullness. However, there is a relation of analogy, not identity, between those. If we attempt to define the role of the sacred in music, we have to include the historical context, theological, philosophical and aesthetical issues and after having researched them, we are obliged to get rid of them, to become free to approach the depth of the problem. For more detailed inquiry I chose the music of Richard Wagner. The reason for my choice was, that his music is full of contradicting influences and non musical stuff included, so that it can serve as a perfect example of the problematics. We have to pursue the whole way of digging into the problem and the conclusions we make are a result of a complex inquiry of the field in our scope. The misleading moments in Wagner ́s life and work have to be named and explained, so that we can arrive at the real treasure of the music, hidden under the cover of different meanings and...en_US
uk.file-availabilityV
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Evangelická teologická fakulta, Evangelická teologická fakultacs_CZ
thesis.grade.codeP
dc.identifier.lisID990011276110106986


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