Ročník 2022
Browse by
Recent Submissions
-
Probing the Neglected Oeuvre of Walter Macken
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Verbal Arts and Storytelling in Mouloud Feraoun’s La Terre et le sang (1953)
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Precarious Dialogues with “Inner Plantation” in Kara Walker’s Silhouette and Sculpture Installations
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
“Everybody’s Just Working the Marks, Brother”: A Kayfabe Reading of Social Identity, Performativity and Performative Identityt
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Dialogic Dislocation: Alternative Strategies for Cultural Communication
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Challenging Intercultural Communicative Competence: Culture as an Emergent Phenomenon
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Performative Models and Physical Fictions: Dialogic Performance as Social Coevolution. A Case for Arcadian Theatre (Modelling the World through Play)
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Introduction: Culture as an Interface and Dialogue
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Book Of Longing: Leonard Cohen’s Wellsprings Of Inspiration
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
From “Obscure Prehistoric Dialect” To “Icon Of Nationhood”
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Hightlighting Links Across Centuries
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
“All Very Tricky Technically”: Samuel Beckett and Technology
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
“It’s a common story”: Staging Animatedness in Plays by Amiri Baraka and Jackie Sibblies Druryk
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
“An extraordinary deposition”: Enda Walsh’s Medicine
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Performing Community: Images of Inclusion and Solidarity in Selected British Plays
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Theatre, Presence and Communitas in Social Isolation: Covid-19 and Zoe Seaton’s The Tempest and Operation Elsewhere Online
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Embodying Agonism in Lucy Kirkwood’s Mosquitoes and The Welkin
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Revolution, Satire and Staging Dissensus: Alice Birch’s Revolt. She Said. Revolt Again. and Marlene Streeruwitz’s Mar-a-Lago. oder. Neuschwanstein
(Univerzita Karlova, Filozofická fakulta, Praha, 2022) -
Introduction: Dialogue, Performance and the Body Politic in Contemporary Theatre
(Univerzita Karlova, Filozofická fakulta, Praha, 2022)
RSS 1.0