dc.contributor.advisor | Lábová, Alena | |
dc.creator | Vysloužil, Jakub | |
dc.date.accessioned | 2017-12-05T11:17:30Z | |
dc.date.available | 2017-12-05T11:17:30Z | |
dc.date.issued | 2007 | |
dc.identifier.uri | http://hdl.handle.net/20.500.11956/11509 | |
dc.description.abstract | Thi s bachelor thesis is about photography and its role in marketing communications. To demonstrate how it works I decided to analyze the advertising and fashion work of one of the most interesting and appreciated contemporary photographers. David LaChapelle's images also convey lot of messages, which could be easily marked as myths of today's western civilisation. My intent also was to describe the stunning history of photography's development and how advertising industry adopted photography as a very powerful instrument to form consumer's opinions and behavior. Some individualities and regimes used the power of images to motivate the people against the enemy or to maintain their own position. In the second half of the twentieth century photography became a standard in adve rtising, which meant that every ad was supposed to be somehow interesting to be effec tive. This was the time when advertising agencies started to concentrate their creative effort on how to communicate with relevant target groups by photography, which is able to convey a lot of information about a product and some emotional message in a very short time. David LaChapelle knows how to do this and keep his artist integrity at the same time. We can find almost every tool, that is advertising photography u ing nowadays in his photos, yet... | en_US |
dc.language | Čeština | cs_CZ |
dc.language.iso | cs_CZ | |
dc.publisher | Univerzita Karlova, Fakulta sociálních věd | cs_CZ |
dc.title | David LaChapelle jako jeden z nejvýraznějších představitelů současné reklamní a módní fotografie | cs_CZ |
dc.type | bakalářská práce | cs_CZ |
dcterms.created | 2007 | |
dcterms.dateAccepted | 2007-06-20 | |
dc.description.department | Department of Marketing Communication and Public Relations | en_US |
dc.description.department | Katedra marketingové komunikace a public relations | cs_CZ |
dc.description.faculty | Fakulta sociálních věd | cs_CZ |
dc.description.faculty | Faculty of Social Sciences | en_US |
dc.identifier.repId | 15125 | |
dc.title.translated | David LaChapelle as one of the most expressive representatives of contemporary advertising and Fashion photography | en_US |
dc.contributor.referee | Vojtěchovská, Martina | |
dc.identifier.aleph | 000944928 | |
thesis.degree.name | Bc. | |
thesis.degree.level | bakalářské | cs_CZ |
thesis.degree.discipline | Marketing Communications and Public Relations | en_US |
thesis.degree.discipline | Marketingová komunikace a public relations | cs_CZ |
thesis.degree.program | Media and Communications Studies | en_US |
thesis.degree.program | Mediální a komunikační studia | cs_CZ |
uk.thesis.type | bakalářská práce | cs_CZ |
uk.taxonomy.organization-cs | Fakulta sociálních věd::Katedra marketingové komunikace a public relations | cs_CZ |
uk.taxonomy.organization-en | Faculty of Social Sciences::Department of Marketing Communication and Public Relations | en_US |
uk.faculty-name.cs | Fakulta sociálních věd | cs_CZ |
uk.faculty-name.en | Faculty of Social Sciences | en_US |
uk.faculty-abbr.cs | FSV | cs_CZ |
uk.degree-discipline.cs | Marketingová komunikace a public relations | cs_CZ |
uk.degree-discipline.en | Marketing Communications and Public Relations | en_US |
uk.degree-program.cs | Mediální a komunikační studia | cs_CZ |
uk.degree-program.en | Media and Communications Studies | en_US |
thesis.grade.cs | Výborně | cs_CZ |
thesis.grade.en | Excellent | en_US |
uk.abstract.en | Thi s bachelor thesis is about photography and its role in marketing communications. To demonstrate how it works I decided to analyze the advertising and fashion work of one of the most interesting and appreciated contemporary photographers. David LaChapelle's images also convey lot of messages, which could be easily marked as myths of today's western civilisation. My intent also was to describe the stunning history of photography's development and how advertising industry adopted photography as a very powerful instrument to form consumer's opinions and behavior. Some individualities and regimes used the power of images to motivate the people against the enemy or to maintain their own position. In the second half of the twentieth century photography became a standard in adve rtising, which meant that every ad was supposed to be somehow interesting to be effec tive. This was the time when advertising agencies started to concentrate their creative effort on how to communicate with relevant target groups by photography, which is able to convey a lot of information about a product and some emotional message in a very short time. David LaChapelle knows how to do this and keep his artist integrity at the same time. We can find almost every tool, that is advertising photography u ing nowadays in his photos, yet... | en_US |
uk.file-availability | V | |
uk.publication.place | Praha | cs_CZ |
uk.grantor | Univerzita Karlova, Fakulta sociálních věd, Katedra marketingové komunikace a public relations | cs_CZ |
dc.identifier.lisID | 990009449280106986 | |