American Postwar Pilgrimage: The Beats in Paris
Američtí pováleční poutníci: Beatnici v Paříži
bachelor thesis (DEFENDED)

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http://hdl.handle.net/20.500.11956/103327Identifiers
Study Information System: 162992
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- Kvalifikační práce [23975]
Author
Advisor
Referee
Quinn, Justin
Faculty / Institute
Faculty of Arts
Discipline
English and American Studies
Department
Department of Anglophone Literatures and Cultures
Date of defense
4. 9. 2018
Publisher
Univerzita Karlova, Filozofická fakultaLanguage
English
Grade
Excellent
Keywords (Czech)
Beat Generation|Transculturalism|Transnationalism|Poválečné období|Anglophone|FrancophoneKeywords (English)
Beat Generation|Transculturalism|Transnationalism|Postwar|Pilgrimage|Anglophone|FrancophoneThe main objective of this thesis is to study the high point of the Beat Generation's production in Paris between 1957 and 1960 and to determine why it encouraged their major contribution to literature, art and criticism worldwide in the last quarter of the 20th century and today. Though most were born and educated in the United States, many of the most important Beat writers journeyed across the world in search of artistic recognition and determined to perform literary experiments they had failed to execute back home. This thesis will provide an overview of the Beat pilgrimage to Paris, a city which has been coined "an arbiter of cultural value in the postwar era." The thesis also attempts to examine the1 ways the Beats' time in Paris was invaluable for their influence on literature beyond American borders and how their writing was shaped by the oeuvres of such French writers as Rimbaud, Proust, Gide, Apollinaire, St.-John Perse, Céline, Cocteau, Genet, Michaux and others. This thesis2 will survey the intersection between French and American culture and the influence of both on Beat authors and the list of works to be analysed includes but is not limited to Allen Ginsberg's Howl and Other Poems (1956), and "Kaddish" (1959); William S. Burroughs's Naked Lunch (1959), The Soft Machine; Jack...
The main objective of this thesis is to study the high point of the Beat Generation's production in Paris between 1957 and 1960 and to determine why it encouraged their major contribution to literature, art and criticism worldwide in the last quarter of the 20th century and today. Though most were born and educated in the United States, many of the most important Beat writers journeyed across the world in search of artistic recognition and determined to perform literary experiments they had failed to execute back home. This thesis will provide an overview of the Beat pilgrimage to Paris, a city which has been coined "an arbiter of cultural value in the postwar era." The thesis also attempts to examine the1 ways the Beats' time in Paris was invaluable for their influence on literature beyond American borders and how their writing was shaped by the oeuvres of such French writers as Rimbaud, Proust, Gide, Apollinaire, St.-John Perse, Céline, Cocteau, Genet, Michaux and others. This thesis2 will survey the intersection between French and American culture and the influence of both on Beat authors and the list of works to be analysed includes but is not limited to Allen Ginsberg's Howl and Other Poems (1956), and "Kaddish" (1959); William S. Burroughs's Naked Lunch (1959), The Soft Machine; Jack...