Z odkazu skladatelů mystického minimalismu
The Legacy of the Composers of Holy Minimalism
dizertační práce (OBHÁJENO)
Zobrazit/ otevřít
Trvalý odkaz
http://hdl.handle.net/20.500.11956/21506Identifikátory
SIS: 75506
Kolekce
- Kvalifikační práce [18094]
Autor
Vedoucí práce
Oponent práce
Pecháček, Stanislav
Riedlbauch, Václav
Fakulta / součást
Pedagogická fakulta
Obor
Hudební teorie a pedagogika
Katedra / ústav / klinika
Oddělení pro vědeckou činnost
Datum obhajoby
11. 9. 2009
Nakladatel
Univerzita Karlova, Pedagogická fakultaJazyk
Čeština
Známka
Prospěl/a
This dissertation is a result of the author's great interest in contemporary music and especially musical "styles" known as "Holy minimalism", "New simplicity", etc. In a way, this work is an extension of my master thesis that dealt with the music of Arvo Pärt which only deepened my interest for this kind of music. Here I also deal with the music of Henryk Mikolaj Górecki whose name very often appears beside that of Arvo Pärt's and he is usually characterized as his Polish counterpart. As a student of the Pedagogical Faculty of the Charles University I realize that the music education students of this university are not familiar with the musical output of the post-modern era, a fact that means that they will not be able to teach anything about contemporary music in their role of music teachers. Undoubtedly, the music of the second half of the 20th century and 21s1 century is an integral part of the history of music and I strongly believe that it has a very high artistic value. Consequently, it is essential that pedagogues know and understand this music. This is the main reason for choosing this topic. Powered by TCPDF (www.tcpdf.org)
This dissertation is a result of the author's great interest in contemporary music and especially musical "styles" known as "Holy minimalism", "New simplicity", etc. In a way, this work is an extension of my master thesis that dealt with the music of Arvo Pärt which only deepened my interest for this kind of music. Here I also deal with the music of Henryk Mikolaj Górecki whose name very often appears beside that of Arvo Pärt's and he is usually characterized as his Polish counterpart. As a student of the Pedagogical Faculty of the Charles University I realize that the music education students of this university are not familiar with the musical output of the post-modern era, a fact that means that they will not be able to teach anything about contemporary music in their role of music teachers. Undoubtedly, the music of the second half of the 20th century and 21s1 century is an integral part of the history of music and I strongly believe that it has a very high artistic value. Consequently, it is essential that pedagogues know and understand this music. This is the main reason for choosing this topic. Powered by TCPDF (www.tcpdf.org)