Special Issue Editorial, Introduction
Editorial
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http://hdl.handle.net/20.500.11956/183941Identifiers
DOI: 10.33134/eeja.440
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- Číslo 2 [7]
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Issue Date
2023-09-14Publisher
Univerzita Karlova, Filozofická fakultaHelsinki University Press
Helsinki
Praha
Source document
Estetika: The European Journal of Aestheticse-ISSN: 2571-0915
Periodical publication year: 2023
Periodical Volume: 2023
Periodical Issue: 2
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This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.Keywords (English)
aesthetic judgement, aesthetic misappreciation, aesthetic inconsistency, aesthetic absence, aesthetic personalityRecent debates on the validity of Aesthetic Testimony and the centrality of the so-called Acquaintance Principle suggest that there is more to the proper exercise of aesthetic judgement than mere endorsement of allegedly correct aesthetic judgements. For example, although it is reasonable to follow experts’ judgements in certain matters of fact, it seems less acceptable to simply endorse or adopt experts’ judgements in the aesthetic domain. That reliance on testimony, by contrast to some other areas of judgement, is not sufficient for aesthetic judgement has encouraged scholars to focus in turn on the importance of the personal involvement and autonomy of the aesthetic agent.
This special issue focuses on phenomena related to failed exercises of aesthetic judgement. The choice of the theme is motivated by the belief that a careful analysis of failures in aesthetic judgement can reveal significant aspects of the nature of aesthetic experience itself as well as the roles that perception, imagination, and learning have in its proper exercise.
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Except where otherwise noted, this item's license is described as This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use,
distribution, and reproduction in any medium, provided the original author and source are credited.
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