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Recent Submissions

  • Red Sea – Red Square – Red Thread: A Philosophical Detective Story by Lydia Goehr 

    Eldridge, Richard (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
    A book review of Lydia Goehr, Red Sea – Red Square – Red Thread: A Philosophical Detective Story. Oxford: Oxford University Press, 2022, xlii + 677 pp. ISBN 9780197572443.
  • Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice, edited by Susanne Ravn, Simon Høffding, and James McGuirk 

    Bertinetto, Alessandro (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
    A book review of Susanne Ravn, Simon Høffding, and James McGuirk, eds., Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice. London: Routledge, 2021, vii + 218 pp. ISBN 9780367540210.
  • Home to Roost: Some Problems for the Nested-Types Theory of Musical Works, Versions, and Authentic Performance 

    Kania, Andrew (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
    A critical note on Nemesio G. C. Puy, ‘Interpretive Authenticity: Performances, Versions, and Ontology’, Estetika 59 (2022): 135–52.
  • Interpretive Authenticity: Performances, Versions, and Ontology 

    Puy, Nemesio G. C. (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
    Julian Dodd defends the view that, in musical work-performance practice, interpretive authenticity is a more fundamental value than score compliance authenticity. According to him, compliance with a work’s score can be ...
  • Two Originals, One Artwork: On the Ontology of Originals and Improvisations 

    van Riel, Raphael (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
    There is disagreement as to the ontological status of works associated with an original. Some hold that works like paintings are identical to the concrete particular the artist worked on while creating the artwork. Others ...
  • Somaesthetics in Baumgarten? The Founding of Aesthetics and the Body 

    Nannini, Alessandro (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
    In the presentation of his project about ‘somaesthetics’, Richard Shusterman claimed that the recurring neglect of the body in aesthetics was disastrously introduced by Alexander Gottlieb Baumgarten (1714–1762) in his first ...
  • Being Moved by Art: A Phenomenological and Pragmatist Dialogue 

    Høffding, Simon; Sánchez, Carlos Vara; Roald, Tone (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-09-15)
    This article integrates John Dewey’s Art as Experience, Mikel Dufrenne’s Phenomenology of Aesthetic Experience, and phenomenological interviews with museum visitors to answer what it means to be ‘moved by art’. The interviews ...
  • Artistic Creation and Ethical Criticism by Ted Nannicelli 

    Bokiniec, Monika (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
    A book review of Ted Nannicelli, Artistic Creation and Ethical Criticism. New York: Oxford University Press, 2020, 288 pp. ISBN 9780197507247.
  • Radically Rethinking Copyright in the Arts: A Philosophical Approach by James O. Young 

    Baldini, Andrea Lorenzo (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
    A book review of James O. Young, Radically Rethinking Copyright in the Arts: A Philosophical Approach. New York: Routledge, 2021, 184 pp. ISBN 978-0-367–52183–7.
  • Critical Note on James Harold’s Dangerous Art 

    Vidmar Jovanovic, Iris; Stupnik, Valentina Marianna (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
    This paper critically examines James Harold’s book Dangerous Art: On Moral Criticism of Artworks. New York: Oxford University Press, 2020, 206 pp. ISBN 978-0197519769.
  • Aesthetic Understanding 

    Page, Jeremy (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
    In this paper, I introduce an account of aesthetic understanding. Recent discussions of aesthetic understanding have associated it with aesthetic justification and with understanding why, for example, a given object is ...
  • A Heretical Defence of the Unity of Form and Content 

    Glavaničová, Daniela (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
    The received view in the debate on the form–content unity of poetry is that the possibility of paraphrase does not sit well with the unity conception. I will suggest a shift from paraphrase to translation, since the latter ...
  • Mirrors, Windows, and Paintings 

    Calabi, Clotilde; Huemer, Wolfgang; Santambrogio, Marco (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-15)
    What do we see in a mirror? There is an ongoing debate over whether mirrors present us with images of objects or whether we see, through the mirror, the objects themselves. Roberto Casati has recently argued that there is ...
  • What Is Street Art? 

    Baldini, Andrea Lorenzo (Univerzita Karlova, Filozofická fakulta, Helsinki, 2022-03-05)
    What is street art? This paper offers a definition of street art as an art kind or art form based on its essential value: its subversiveness. It argues that street art is essentially subversive in virtue of using public ...

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