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dc.contributor.authorKolman, Vojtěch
dc.date.accessioned2021-07-01T13:38:31Z
dc.date.available2021-07-01T13:38:31Z
dc.date.issued2020-04-15
dc.identifier.urihttp://hdl.handle.net/20.500.11956/126636
dc.language.isoen
dc.publisherHelsinki University Pressen_US
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rightsThis is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.en_US
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.source.urihttps://estetikajournal.org
dc.subjectWittgensteinen
dc.subjectrule-followingen
dc.subjectRichard Wagneren
dc.subjectsceptical paradoxen
dc.subjectaestheticsen
dc.titleWittgenstein and Die Meistersinger: The Aesthetic Road to a Sceptical Solution of the Sceptical Paradoxen
dc.typeVědecký článekcs
uk.abstract.enStarting with Wittgenstein’s remark about his allegedly frequent visits to the performance of Wagner’s Die Meistersinger von Nürnberg, the paper presents Wagner’s opera – being explicitly an opera about rules and rule-following – as a possible stimulus for the later Wittgenstein’s thinking about language. Besides Wittgenstein’s systematic interest in parallels between music and language, the paper draws on the choice of terminology (such as the comparison of rules to rails) and on Wittgenstein’s own examples of rule-following. More speculatively, the phrasing as well as the solution to what Kripke called Wittgenstein’s sceptical paradox is used as a point of comparison that brings Wittgenstein’s aesthetic innuendos closer not only to mainstream philosophy of language, but due to the antithetical structure of Kripke’s argument, also to the broader philosophical and aesthetic tradition of German idealism.cs
uk.internal-typeuk_publication
dc.identifier.doihttps://doi.org/10.33134/eeja.28
dc.identifier.eissn2571-0915
dc.description.startPage44
dc.description.endPage63
dcterms.isPartOf.nameEstetika: The European Journal of Aesthetics
dcterms.isPartOf.journalYear2020
dcterms.isPartOf.journalVolume2020
dcterms.isPartOf.journalIssue1


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This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use,
distribution, and reproduction in any medium, provided the original author and source are credited.
Except where otherwise noted, this item's license is described as This is an open-access article distributed under the terms of theCreative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.

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