Nedávno přidané | Digitální repozitář UK

Joseph Severn’s Significantly Borderline Correspondence

Elprin, Jeremy (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Lord Brougham’s Secret French Novel

Vincent, Patrick (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Porous Boundaries: Space, Shorelines, and Sexuality in Byron’s “Turkish Tales”

Musk, Rebekah (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

J.M.W. Turner’s Plagues: Thinking in Pictures from Single to Serial Forms

Calè, Luisa (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Crossing Borders: The Geological and Mythological Imagination of Staffa in British and European Romanticism

Ansel, Elisabeth (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Scott’s Border Characters

Chandler, James (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Scottish Travellers, National Character, and Cross-border Storytelling

Esterhammer, Angela (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Porous Borders / Border Controls

Halmi, Nicholas (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Introduction

Adnot, Camille; Duperrier, Felix; Hortolland, Pauline (Univerzita Karlova, Filozofická fakulta, Praha, 2026)

Gerard Manley Hopkins: The Performance of Resilience in the Face of Inner Conflict

Noble, Tim (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

“What Wondrous Machines Have Late Been Spinning!” Probing AI in Postmodern Byronic Metafiction

Horová, Mirka (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

Of Technology, Yeats and Automatic Writing: Managing Cultural Identities in the Age of AI Ethics and Beyond

Štefl, Martin (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

Performativity on the Net: “Protocological Management” and the “Societies of Control”

Procházka, Martin (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

A Second Language Actor’s Schizo-affect Training Using AI: The Human Voice

Florea, Bogdan (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

The Korean Gaze: K-Dramas and Re-Orientalist Representations

Biana, Hazel T. (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

The Camera’s Performativity as an Emancipatory Gesture

Heczková, Libuše; Svatoňová, Kateřina (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

Performing Queerness through Translation and Adaptation

Pavelková, Hana (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

Curating Intercultural Action: Agency between Epistemologies

Drábek, Pavel (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

Olga Ntenta’s Greek Precarious Body: The Body in the Costume of Conflict

Sabitova, Valeriya (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

Tragic Replay: Performativity, Myth and Reality in Milo Rau’s Medea’s Children

Wallace, Clare (Univerzita Karlova, Filozofická fakulta, Praha, 2025)

Litteraria Pragensia: Poslední příspěvky

Joseph Severn’s Significantly Borderline Correspondence ﻿

Lord Brougham’s Secret French Novel ﻿

Porous Boundaries: Space, Shorelines, and Sexuality in Byron’s “Turkish Tales” ﻿

J.M.W. Turner’s Plagues: Thinking in Pictures from Single to Serial Forms ﻿

Crossing Borders: The Geological and Mythological Imagination of Staffa in British and European Romanticism ﻿

Scott’s Border Characters ﻿

Scottish Travellers, National Character, and Cross-border Storytelling ﻿

Porous Borders / Border Controls ﻿

Introduction ﻿

Gerard Manley Hopkins: The Performance of Resilience in the Face of Inner Conflict ﻿

“What Wondrous Machines Have Late Been Spinning!” Probing AI in Postmodern Byronic Metafiction ﻿

Of Technology, Yeats and Automatic Writing: Managing Cultural Identities in the Age of AI Ethics and Beyond ﻿

Performativity on the Net: “Protocological Management” and the “Societies of Control” ﻿

A Second Language Actor’s Schizo-affect Training Using AI: The Human Voice ﻿

The Korean Gaze: K-Dramas and Re-Orientalist Representations ﻿

The Camera’s Performativity as an Emancipatory Gesture ﻿

Performing Queerness through Translation and Adaptation ﻿

Curating Intercultural Action: Agency between Epistemologies ﻿

Olga Ntenta’s Greek Precarious Body: The Body in the Costume of Conflict ﻿

Tragic Replay: Performativity, Myth and Reality in Milo Rau’s Medea’s Children ﻿