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Czech Borderlands in Cultural Remembrance and the Role of ČTK’s Photo Editing Department
dc.contributor.authorLanger, Theresa
dc.date.accessioned2018-12-04T08:37:17Z
dc.date.available2018-12-04T08:37:17Z
dc.date.issued2018
dc.identifier.issn2336-7105
dc.identifier.urihttp://hdl.handle.net/20.500.11956/104210
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourcePrague Papers on the History of International Relations, 2018, 1, 127-150cs_CZ
dc.source.urihttps://praguepapers.ff.cuni.cz
dc.subjectČTKcs_CZ
dc.subjectCzechoslovak News Agencycs_CZ
dc.subjectCzechoslovakiacs_CZ
dc.subjectBorderlandscs_CZ
dc.subjectphotographycs_CZ
dc.subjectCultural Remembrancecs_CZ
dc.subjectVisual Historycs_CZ
dc.subjectVisual Culturecs_CZ
dc.subject1945–1956cs_CZ
dc.titleDas tschechische pohraničí im kulturellen Gedächtnis: Die Bildredaktion der ČTK als Akteurcs_CZ
dc.title.alternativeCzech Borderlands in Cultural Remembrance and the Role of ČTK’s Photo Editing Departmentcs_CZ
dc.typeVědecký článekcs_CZ
uk.abstract.enThe article deals with pictures of the Czech borderlands as part of the Czechoslovak cultural memory. It focuses on the Photo Editing Department of the Czechoslovak News Agency ČTK that was the main player in the fields of creating, storing, mediating, and consolidating visual knowledge (not only about the borderlands). It also gives insight into the Photo Editing Department’s practices of categorizing and keywording pictures, which had consequences on further publications of certain photos.cs_CZ
uk.internal-typeuk_publication


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