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dc.contributor.authorDobalová, Sylva
dc.date.accessioned2018-05-28T11:04:51Z
dc.date.available2018-05-28T11:04:51Z
dc.date.issued2015
dc.identifier.issnISSN 2336-6672
dc.identifier.urihttp://hdl.handle.net/20.500.11956/96880
dc.description.abstractThis essay examines the iconography of the best-known relief from the renaissance Royal Summer Palace at the Prague Castle, depicting Ferdinand I of Habsburg and his wife Anne Jagiello. It highlights its marriage symbolism and the question of the dowry. In the relief Anne, heiress to the Czech Lands, gives her husband an olive branch symbolising peace. In the context of the political significance of the palace’s decoration the relief expresses Ferdinand’s view of his claim to the Bohemian throne, based on his marriage to the heiress. Due to opposition from the Bohemian Estates, this finally became his lawful right in 1545, 24 years after the royal wedding. The Italian sculptor Paolo della Stella expressed a search for a peaceful solution to Ferdinand’s succession. The relief was carved between 1540 and 1550. The interpretations do not rule out the possibility that it was made after Anne had died (1547).en_US
dc.formatpdf
dc.publisherUniverzita Karlova, Filozofická fakulta
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceHistorie – Otázky – Problémy (History, Issues, Problems), 2015, 7, 2, 162-175
dc.subjectRoyal Summer Palace in Prague (Belvedere)en_US
dc.subjectolive treeen_US
dc.subjectFerdinand I of Habsburgen_US
dc.subjectAnne Jagielloen_US
dc.subjectmarriage symbolismen_US
dc.subjectPaolo della Stellaen_US
dc.titleThe Royal Summer Palace, Ferdinand I and Anneen_US
dc.typeČlánek v periodikucs_CZ
dc.typeJournal Articleen_US
uk.internal-typeuk_publication


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