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dc.creatorKlára Čermochová
dc.date2016
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dc.date.accessioned2018-05-28T11:04:39Z
dc.date.available2018-05-28T11:04:39Z
dc.date.issued2016
dc.identifierISSN 2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/96676
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dc.descriptionRhythm is a concept, which is possible to employ in various contexts. This article imagines the normal understanding of rhythm as true structures and against which stand the understanding of the opposition of meter versus rhythm in the Czech versological tradition or the French ‘neoplatonic’ approach to rhythm with an emphasis on meaning and subject. This article is devoted as well to the rhythm of the spoken output of various languages and reminds on the division of languages by isochrony and isosyllabism. It will further examine the role of rhythmic language types in a selection of versifying systems and other circumstances, which influence these choices. The final part of the article will concern the rhythmical experiments of Otakar Theer and his drama Faëthón, perhaps one of the most expansive Czech texts written in accentual verse.
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dc.publisherUniverzita Karlova, Filozofická fakulta
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSlovo a smysl - Word & Sense, 2016, 13, 26, 79-88
dc.subjectMetrum
dc.subjectrytmus
dc.subjecttónismus
dc.subjectOtakar Theer
dc.subjectverš
dc.subjectmeter
dc.subjectrhythm
dc.subjectaccentual verse
dc.subjectverse
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dc.titleÚvaha o rytmu v řeči, poezii i tak vůbec
dc.titleA Reflection on Rhythm in Speech, Poetry and so forth
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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uk.internal-typeuk_publication
dc.description.startPage79
dc.description.endPage88
dcterms.isPartOf.nameSlovo a smysl - Word & Sensecs_CZ
dcterms.isPartOf.journalYear2016
dcterms.isPartOf.journalVolume13
dcterms.isPartOf.journalIssue26


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