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BUDAPEST’S DEEP IMPRINT ON RICHARD MESSER’S (MESZLÉNY’S) LIFE PATH
dc.contributor.authorTopor, Michal
dc.date.accessioned2021-06-15T09:52:59Z
dc.date.available2021-06-15T09:52:59Z
dc.date.issued2021
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/125733
dc.language.isocs_CZcs
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.source.urihttps://svetliteratury.ff.cuni.cz
dc.subjectRichard Messercs
dc.subjectRichard Meszlénycs
dc.subjectBudapestcs
dc.subjectphilologycs
dc.subjectcriticismcs
dc.titleBudapešťská rýha v dráze Richarda Messera (Meszlénye)cs
dc.typeVědecký článekcs
dc.title.translatedBUDAPEST’S DEEP IMPRINT ON RICHARD MESSER’S (MESZLÉNY’S) LIFE PATHcs
uk.abstract.enIt seems most likely that Richard Messer (born in 1881 in Pančevo, died in 1962 in Prague) came to Budapest in 1900; in any case, at the end of that year he had his surname officially changed to Meszlény. This is how he subsequently signed his — apparently somewhat sporadic — contributions to Budapest-based Hungarian-language journals and newspapers: the prose piece “Egy boldog pár” (Happy Couple) was published in the review Otthon (Home, 1901); a series of critical sketches were printed in the journal A Színház (Theatre, 1904); a couple of texts appeared in the review Művészet (Art, 1905, 1908) and since 1908 he also wrote occasional pieces for the daily Pester Lloyd. After all, as “Meszlény” he graduated in philological studies from the University of Budapest (continuing in Grenoble, Heidelberg and Cluj-Napoca) and it is also how he signed his final, doctoral thesis about Heinrich Wilhelm von Gerstenberg (Gerstenberg költészete. Irodalomtörténeti tanulmány, 1908). The present study traces precisely these roots of Messerʼs philological and artistic-critical habit.cs
dc.publisher.publicationPlacePrahacs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2021.1.4
dc.description.startPage59cs
dc.description.endPage75cs


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