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dc.contributor.authorQuirion, Aurélie
dc.date.accessioned2021-01-11T10:10:27Z
dc.date.available2021-01-11T10:10:27Z
dc.date.issued2020
dc.identifier.issn1801-3899
dc.identifier.urihttp://hdl.handle.net/20.500.11956/123975
dc.language.isoencs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourcePrague Egyptological Studies, 2020, 25, 128-141cs_CZ
dc.source.urihttps://pes.ff.cuni.cz
dc.subjectDeir el-Gebrawics_CZ
dc.subjectSixth Dynastycs_CZ
dc.subjectfishing and fowlingcs_CZ
dc.subjectparietal decorationcs_CZ
dc.subjectprovincial tombscs_CZ
dc.subjectexpression of identitycs_CZ
dc.titleThe fishing and fowling scene in the tomb of Ibi: a means of expression for a provincial rulercs_CZ
dc.typeVědecký článekcs_CZ
uk.abstract.enThis article aims to show how the fishing and fowling scene, which is frequent in Old Kingdom private tombs, is used in the tomb of Ibi as a way to display a specific social and ideological message. Indeed, this illustration presents an unusual emphasis on family members. A discussion on parietal conventions and a direct comparison with the fishing and fowling scene in Mereruka’s tomb, inscribed in a different cultural landscape, highlights the capacity of the changing details of the scene to work as a means of expression. Between Memphite tradition and provincial adaptations, the composition and the visual aspects given to the painting of Ibi are a strategy to express specific values and to point out the local identity of the owner.cs_CZ
dc.publisher.publicationPlacePrahacs_CZ
uk.internal-typeuk_publication
dc.description.startPage128
dc.description.endPage141
dcterms.isPartOf.namePrague Egyptological Studiescs_CZ
dcterms.isPartOf.journalYear2020
dcterms.isPartOf.journalVolume2020
dcterms.isPartOf.journalIssue25


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