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Postcolonial Central Europe? Kundera’s ‘Kidnapped West’ in the Mirror of Postcolonial Critique
dc.contributor.authorSlačálek, Ondřej
dc.date.accessioned2020-11-23T09:30:48Z
dc.date.available2020-11-23T09:30:48Z
dc.date.issued2020
dc.identifier.issn2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/123453
dc.language.isocs_CZcs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSlovo a smysl, 2020, 2, 105-130cs_CZ
dc.source.urihttps://wordandsense.ff.cuni.cz
dc.subjectPostkolonialismuscs_CZ
dc.subjectpostsocialismuscs_CZ
dc.subjectanalýza světosystémucs_CZ
dc.subjectstřední Evropacs_CZ
dc.subjectMilan Kunderacs_CZ
dc.subjectMaria Todorovacs_CZ
dc.subjectEwa Tompsoncs_CZ
dc.subjectMadina Tlostanovacs_CZ
dc.subjectAgnes Gagyics_CZ
dc.titlePostkoloniální střední Evropa? Kunderův „unesený Západ“ v zrcadle postkoloniální kritikycs_CZ
dc.typeVědecký článekcs_CZ
dc.title.translatedPostcolonial Central Europe? Kundera’s ‘Kidnapped West’ in the Mirror of Postcolonial Critiquecs_CZ
uk.abstract.enThis article has a twofold aim: 1) to introduce four theoreticians who transfer concepts of postcolonial theory to the analysis of post-socialist Central and Eastern Europe; 2) to apply these concepts to the interpretative dialogue of Milan Kundera’s essay *e Tragedy of Central Europe (1983). Te article thus presents the main concepts of the Bulgarian historian Maria Todorova (Balkanism and its similarities with and diferences to Orientalism), American-Polish literary historian and Slavicist Ewa Tompson (surrogate hegemon, Sarmatism), Russian cultural theorist Madina Tlostanova (speaking from colonial wounds), and Hungarian sociologist Agnes Gagyi. In particular, the presentation of Todorova and Tompson is complemented by the presentation of the debates caused by their work (Diana Mishkova and Rastko Močnik in Todorova’s case, Stanley Bill, Jan Sowa, Claudia SnochowskaGonzalez in Thompson’s case) and conceptual alternatives (Maria Janion). The concepts of these authors are used to demonstrate how Kundera’s essay is based on his ignorance of both non-European world and European internal peripheries, how it homogenizes Central European experiences, how it replaces politics by culture, and how it contributes to conservative identitarian positions which are not shared by Kundera in his other writings. In conclusion, the article discusses the mutual ignorance of Central European discourse and postcolonial discourse, and the possibilities of dialogue. On the meta-level the article also poses the question of how dialogue between theories of literature and political theory can enrich both participants.cs_CZ
dc.publisher.publicationPlacePrahacs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366680.2020.2.7cs_CZ
dc.description.startPage105
dc.description.endPage130
dcterms.isPartOf.nameSlovo a smyslcs_CZ
dcterms.isPartOf.journalYear2020
dcterms.isPartOf.journalVolume2020
dcterms.isPartOf.journalIssue2


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