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THE PROBLEM OF SYNAESTHETIC MEMORY IN JOSEPH MALÈGUE’S NOVEL AUGUSTIN OU LE MAÎTRE EST LÀ
dc.contributor.authorLitwinowicz-Krutnik, Zofia
dc.date.accessioned2020-11-02T12:23:08Z
dc.date.available2020-11-02T12:23:08Z
dc.date.issued2020
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/123035
dc.language.isofrcs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury, 2020, Special Issue, 109-120cs_CZ
dc.source.urihttps://svetliteratury.ff.cuni.cz
dc.subjectsynaesthetic memorycs_CZ
dc.subjectAugustine or the Master is Herecs_CZ
dc.subjectJoseph Malèguecs_CZ
dc.subjectecstasy of memorycs_CZ
dc.subjectinvoluntary memorycs_CZ
dc.titleLe problème de la mémoire cinesthésique dans Augustin ou le Maître est là de Joseph Malèguecs_CZ
dc.typeVědecký článekcs_CZ
dc.title.translatedTHE PROBLEM OF SYNAESTHETIC MEMORY IN JOSEPH MALÈGUE’S NOVEL AUGUSTIN OU LE MAÎTRE EST LÀcs_CZ
uk.abstract.enIn Joseph Malègue’s novel Augustine or the Master is Here, published in 1933, synaesthesia has a crucial role in the functioning of memory and in the shaping of human being’s situation in time. The synaesthetic memory, built upon synaesthetic experiences, is understood as a global memory determined by unified senses of vision, smell, taste, hearing and touch, inextricably connected to involuntary memory. As Malègue’s treatment of memory bears a strong resemblance to that of Marcel Proust in his cycle In Search of Lost Time, the synaesthetic memory in the novel is constituted by three main elements: the eternity of the main protagonist’s childhood memories, unified by the memorable smell of hay; the search of the absolute by the characters; and finally, the mystical experiences called “ecstasies of memory”. The latter determine moments comparable to an illumination, when the involuntary memory turns up out of an unexpected event or a stimulation of a particular sense. The article offers a close reading of three main experiences constituting the “ecstasies of memory” in the novel Augustine or the Master is Here: the phenomena of roses and Liszt’s rhapsody, linked with the protagonist’s love to his almost-fiancée Anne de Préfailles; the Font-Sainte chapel, which marks his first religious experience ; and finally, the pilgrimage to a place called also Font-Sainte, which reappears in the novel, becoming its leitmotiv and the buckle of the protagonist’s identity.cs_CZ
dc.publisher.placePrahacs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2020.3.9 ; ; ; ;cs_CZ


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