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IMAGES OF FORGETTING ONESELF: GENRE SCENES OF GREUZE AND CHARDIN
dc.contributor.authorProhászka, Erzsébet
dc.date.accessioned2020-11-02T11:54:19Z
dc.date.available2020-11-02T11:54:19Z
dc.date.issued2020
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/123026
dc.language.isofrcs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury, 2020, Special Issue, 38-50cs_CZ
dc.source.urihttps://svetliteratury.ff.cuni.cz
dc.subjectJean-Siméon Chardin;cs_CZ
dc.subjectJean-Baptiste Greuzecs_CZ
dc.subjectgenre paintingcs_CZ
dc.subjectself-effacementcs_CZ
dc.subjectMichael Friedcs_CZ
dc.subjectMihály Csíkszentmihályics_CZ
dc.subjectstate of flowcs_CZ
dc.titleImages de l’oubli de soi: les scènes de genre de Greuze et de Chardincs_CZ
dc.typeVědecký článekcs_CZ
dc.title.translatedIMAGES OF FORGETTING ONESELF: GENRE SCENES OF GREUZE AND CHARDINcs_CZ
uk.abstract.enGenre painting, also called genre scene or “petit genre”, represents aspects of everyday life by portraying ordinary people engaged in common activities. Jean-Baptiste Greuze (1725–1805) and JeanSiméon Chardin (1699–1779) are probably the most famous painters specialized in this genre in the eighteenth century in France. It is striking that often the characters in their canvases are deeply absorbed in ordinary activities, forgetting the surrounding world. The purpose of our paper is to illustrate the representations of self-effacement in French painting of the eighteenth century, based on the analysis of some paintings by Greuze and Chardin and also on theoretical and critical texts of their time. We draw as well a parallel between the work of Michael Fried, Absorption and Theatricality: Painting and Beholder in the Age of Diderot, and the theory of the flow of the psychologist Mihály Csíkszentmihályi, to show their common points considering always their appearances in the genre paintings.cs_CZ
dc.publisher.placePrahacs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2020.3.3cs_CZ


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