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POPCULTURAL TROPE THEORY
dc.contributor.authorKrásová, Eva
dc.date.accessioned2020-11-02T10:33:57Z
dc.date.available2020-11-02T10:33:57Z
dc.date.issued2020
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/122829
dc.language.isocs_CZcs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury, 2020, 62, 67-77cs_CZ
dc.source.urihttps://svetliteratury.ff.cuni.cz
dc.subjectNarativcs_CZ
dc.subjectnarativitacs_CZ
dc.subjecttropuscs_CZ
dc.subjecttopologiecs_CZ
dc.subjectpopkulturacs_CZ
dc.subjectparticipativní médiacs_CZ
dc.subjectErnst Robert Curtiuscs_CZ
dc.subjectAxel Brunscs_CZ
dc.titlePopkulturní teorie tropucs_CZ
dc.typeVědecký článekcs_CZ
dc.title.translatedPOPCULTURAL TROPE THEORYcs_CZ
uk.abstract.enThe article deals with the current state of narrative and narrativity in the situation of new media. After a short reflection on the transmediality of contemporary narrative (through the concept of media object of Axel Bruns) we comment on the changes of viewership in the „Netflix Era“, and the situation of participatory media. The core of the article describes a wiki website TVTropes and its concept of „trope“. In the TVTropes environment, unaffected by academic literary theory (as far as it seems from the stated sources), a „trope“ stands for a frequently recognized part of a story, and not a figure of speech, and thus is much closer to the object of E. R. Curtius „topology“. In the end, we reflect on the possible consequences or benefits of the conceptual shift described.cs_CZ
dc.publisher.publicationPlacePrahacs_CZ
uk.internal-typeuk_publication
dc.identifier.doi10.14712/23366729.2020.2.5cs_CZ
dc.description.startPage67
dc.description.endPage77
dcterms.isPartOf.nameSvět literaturycs_CZ
dcterms.isPartOf.journalYear2020
dcterms.isPartOf.journalVolume2020
dcterms.isPartOf.journalIssue62


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