Literární historie jako paměť čtenářské zkušenosti. K pojetí konkretizace u Romana Ingardena a Jana Mukařovského
Literary History as a Memory of the Reader’s Experience: On ‘Concretization’ in Roman Ingarden and Jan Mukařovský
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http://hdl.handle.net/20.500.11956/115552Identifiers
ISSN: 2336-6680
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- Číslo 32 [26]
Author
Issue Date
2019Publisher
Univerzita Karlova, Filozofická fakultaSource
Slovo a smysl - Word & Sense, 2019, 16, 32, 176-183Source URL
https://wordandsense.ff.cuni.czKeywords (Czech)
concretization, literary history, Roman Ingarden, Jan Mukařovský, René Wellek, Konkretizace, literární historie
The article argues that a rethinking of the idea of concretization, which in Roman Ingarden’s book
Das literarische Kunstwerk (1931) changes the identity of literary work, is transformed into a subject of
structural literary history in Jan Mukařovský’s interpretations of Karel Hynek Mácha’s work (1936).
The author describes the act of transformation with reference to a debate on Ingarden’s phenomenological aesthetics in which René Wellek criticizes the philosopher’s non-historical point of view
and his whole concept of literature.