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dc.contributor.authorMatoušková, Monika
dc.date.accessioned2019-12-12T09:08:33Z
dc.date.available2019-12-12T09:08:33Z
dc.date.issued2019
dc.identifier.issn2336-8144
dc.identifier.urihttp://hdl.handle.net/20.500.11956/115515
dc.language.isoencs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceStudia Hercynia, 2018, 22, 2, 9-31cs_CZ
dc.source.urihttps://studiahercynia.ff.cuni.cz
dc.subjectSacral knotcs_CZ
dc.subjectMinoancs_CZ
dc.subjectartcs_CZ
dc.subjectreligioncs_CZ
dc.subjecticonographycs_CZ
dc.subjectglypticcs_CZ
dc.subjectivorycs_CZ
dc.subjectfaiencecs_CZ
dc.titleThe Sacral Knot and Its Iconographic Usecs_CZ
dc.typeVědecký článekcs_CZ
uk.abstract.enThe sacral knot is one of the most discussed symbols of Minoan art. This study focuses on its iconographic use throughout time and tries to find a way to differentiate it from other similar symbols. The first examples of the symbol are traced back to MM II while the last ones appear in LM IIIA. It occurs on various kinds of material like ivory, faience and frescoes, but mainly on seals and sealings. In glyptic it goes through a chronological evolution which can be divided into four stages.cs_CZ
uk.internal-typeuk_publication
dc.description.startPage9
dc.description.endPage31
dcterms.isPartOf.nameStudia Hercyniacs_CZ
dcterms.isPartOf.journalYear2018
dcterms.isPartOf.journalVolume22
dcterms.isPartOf.journalIssue2


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