Duch Havlíčkův a jiné problémy. O vydávání klasického autora

Vaněk, Václav

The Ghost of Havlíček and Other Problems: On the Publication of a Classical Author

dc.contributor.author	Vaněk, Václav
dc.date.accessioned	2019-09-25T13:02:04Z
dc.date.available	2019-09-25T13:02:04Z
dc.date.issued	2019
dc.identifier.issn	2336-6680
dc.identifier.uri	http://hdl.handle.net/20.500.11956/108991
dc.language.iso	cs_CZ	cs_CZ
dc.publisher	Univerzita Karlova, Filozofická fakulta	cs_CZ
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/2.0/
dc.source	Slovo a smysl - Word & Sense, 2019, 16, 31, 71-100	cs_CZ
dc.source.uri	https://wordandsense.ff.cuni.cz
dc.subject	Karel Havlíček Borovský	cs_CZ
dc.subject	textology	cs_CZ
dc.subject	editorial	cs_CZ
dc.subject	practice	cs_CZ
dc.subject	fragments	cs_CZ
dc.subject	variants	cs_CZ
dc.subject	censorship	cs_CZ
dc.subject	taboo	cs_CZ
dc.subject	textologie	cs_CZ
dc.subject	ediční praxe	cs_CZ
dc.subject	fragmenty	cs_CZ
dc.subject	varianty	cs_CZ
dc.subject	cenzura	cs_CZ
dc.subject	tabu	cs_CZ
dc.title	Duch Havlíčkův a jiné problémy. O vydávání klasického autora	cs_CZ
dc.title.alternative	The Ghost of Havlíček and Other Problems: On the Publication of a Classical Author	cs_CZ
dc.type	Vědecký článek	cs_CZ
uk.abstract.en	Since his death, Karel Havlíček Borovský (1821–1856) has been seen by the Czech public as a ‘national martyr’ (a view not entirely upheld by historical facts), as well as a symbol of courage, defiance and forthrightness. Similar qualities have been attributed to his fiction, a vivid and humorous reflection of the state of affairs in the culture and politics of his time. However, Havlíček’s poems and epigrams were created in the trying circumstances of Metternich’s Austria, during the revolutionary years of 1848 and 1849 and subsequent years of social depression. Throughout this period his publishing possibilities were limited to the demands of censorship, at risk of losing his literary existence. He wrote his best-known poems while detained in Brixen, with no hope of publication. During his lifetime he was unable to publish a single book of his own fiction, and for years after his death his works were known primarily through unauthorized copies. The first posthumous comprehensive editions of his writings (esp. Zelený 1870, Tůma 1886, Quis 1889 and 1906) were similarly limited by the political conditions of the Austro-Hungarian monarchy. At the same time, however, they aimed at presenting an idealized image of the national poet by modifying and redacting the original texts. This study follows the situation outlined here from a textological perspective. In the first part, it notes the uncertain boundaries of Havlíček’s works in terms of textual units, author attribution and delimitation of genre. In the second part, it presents examples of censorship and self-censorship. In the third part, it deals with changes to Havlíček’s texts after the author’s death, mainly due to inaccurate copies and editorial interventions (e.g. the removal and concealment of taboo words). It is this aspect of publishing practice in the second half of the 19th century that results in a particularly problematic, flat and banal image of Havlíček’s work. The study is accompanied by analysis of several specific textual problems that remain unresolved.	cs_CZ
uk.internal-type	uk_publication
dc.identifier.doi	10.14712/23366680.2019.1.5	cs_CZ
dc.description.startPage	71
dc.description.endPage	100
dcterms.isPartOf.name	Slovo a smysl - Word & Sense	cs_CZ
dcterms.isPartOf.journalYear	2019
dcterms.isPartOf.journalVolume	16
dcterms.isPartOf.journalIssue	31

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