Krátké formy v tvorbě Samuela Becketta ve vztahu k otázce poznání
The Short Forms in Samuel Beckett’s Work in Regard to the Cognitive Problem
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http://hdl.handle.net/20.500.11956/108990Identifiers
ISSN: 2336-6680
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- Číslo 31 [22]
Author
Issue Date
2019Publisher
Univerzita Karlova, Filozofická fakultaSource
Slovo a smysl - Word & Sense, 2019, 16, 31, 63-70Source URL
https://wordandsense.ff.cuni.czKeywords (Czech)
Samuel Beckett, short forms, cognition, fragment, Samuel Beckett, krátké formy, poznání, fragment
Beckett’s epistemological pursuit of brevity can be found even in the titles or subtitles of writings
like From an Abandoned Work, Rough for Theatre I and Rough for Theatre II, Come and Go. A Dramaticule, Intermedium or Ohio Impromptu. Para- and/or architextual wordings like ‘intermedium’, ‘rough’,
‘a dramaticule’, ‘impromptu’ or ‘from an abandoned work’ provide further examples of this tendency. The main goal of this article is to present Beckett’s specificity against the background of the
tradition of genres and the poetics of the romantic fragment. The author also analyzes the connection between the structure and style of Beckett’s works and their epistemological and aesthetic functions. She presents how, by engaging with Romanticism, Beckett reveals the illusion of the infinite,
representing it as a derivative of the human mind rather than an objective quality. Despite this basic
difference, the poetics of fragment in the works of this Irish writer becomes a mode of manifesting
uncertainty and sometimes even of cognitive incapacity