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“The Rational Will (Perhaps) Become Real.”
dc.contributor.authorVoldřichová Beránková, Eva
dc.date.accessioned2019-04-18T07:21:56Z
dc.date.available2019-04-18T07:21:56Z
dc.date.issued2019
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/105693
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury: Časopis pro novodobé literatury, 2019, 59, 90-106cs_CZ
dc.source.urihttps://svetliteratury.ff.cuni.cz
dc.subjectÉmile Zolacs_CZ
dc.subjectPaul Cézannecs_CZ
dc.subjectHegelcs_CZ
dc.subjectNaturalismcs_CZ
dc.subjectImpressionismcs_CZ
dc.subjectracionalitycs_CZ
dc.subjecteffectivenesscs_CZ
dc.subjectrealitycs_CZ
dc.title„Co je rozumné, to se (možná) stane skutečným.“cs_CZ
dc.title.alternative“The Rational Will (Perhaps) Become Real.”cs_CZ
dc.typeVědecký článekcs_CZ
uk.abstract.enThe article proposes a contemporary reflection on Hegel’s famous quote “the real is the rational and the rational is the real” that tradition has often misinterpreted. Inspired by a new reading by JeanFrançois Kervégan (which translates the sentence “the rational will become effective/real and the real/effective will become rational”), the article focuses on one of the possible illustrations of this Hegelian thesis. Émile Zola’s novel The Work consists of a very interesting analysis of the notions of reality, effectiveness and rationality that the author applies to both literature and visual arts. Behind the controversies of Pierre Sandoz and Claude Lantier, it is possible to discern all the debates that opposed Émile Zola to his friend Paul Cézanne.cs_CZ
uk.internal-typeuk_publication


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