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Mechanics of awe: the horror tales of German romanticism
dc.contributor.authorNovotný, Pavel
dc.date.accessioned2018-11-28T14:59:43Z
dc.date.available2018-11-28T14:59:43Z
dc.date.issued2018
dc.identifier.issn2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/103928
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury: Časopis pro novodobé literatury, 2018, 58, 85-99cs_CZ
dc.source.urihttps://svetliteratury.ff.cuni.cz
dc.subjectHorrorcs_CZ
dc.subjectUncannycs_CZ
dc.subjectGerman Romanticismcs_CZ
dc.subjectGerman Literaturecs_CZ
dc.subjectE. T. A. Hoffmanncs_CZ
dc.subjectLudwig Tieckcs_CZ
dc.subjectHororcs_CZ
dc.subjecttísnivécs_CZ
dc.subjectněmecká romantikacs_CZ
dc.subjectněmecká literaturacs_CZ
dc.subjectE. T. A. Hoffmanncs_CZ
dc.subjectLudwig Tieckcs_CZ
dc.titleMechanika hrůzy: K hororovým příběhům německého romantismucs_CZ
dc.title.alternativeMechanics of awe: the horror tales of German romanticismcs_CZ
dc.typeVědecký článekcs_CZ
uk.abstract.enIn its early and peak periods Romanticism was particularly characterized, among other things, by severe criticism of the rational understanding of the world, and thus also of the Enlightenment and its world-view. One area where the Romantics’ distrust of reason, system, and mechanics was manifested was the area of the so-called Dark Romanticism and its terrifying stories. In this context, one dominant principle of the emergence of disturbing or scary moments in the Romantic literary text can also be determined: Fear is created as a crack in the rational images of the world, as a dark psychological exploration of the human self. In this respect, the article deals with the work of E. T. A. Hoffmann and Ludwig Tieck.cs_CZ
uk.internal-typeuk_publication


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