Významové pole pojmu "populární" v pojetí teoretiků a konzumentů populární kultury (na příkladu užívání výrazu "populární hudba" a "pop")
The definition of "popular" as conceived by theoreticians and consumers of popular culture (on the example of the use of the terms "popular music" and "pop")
diploma thesis (DEFENDED)
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Permanent link
http://hdl.handle.net/20.500.11956/6851Identifiers
Study Information System: 2120
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- Kvalifikační práce [17123]
Author
Advisor
Referee
Trampota, Tomáš
Faculty / Institute
Faculty of Social Sciences
Discipline
Media Studies
Department
Department of Media Studies
Date of defense
26. 6. 2006
Publisher
Univerzita Karlova, Fakulta sociálních vědLanguage
Czech
Grade
Excellent
Cílem práce bylo zjistit, jak koncepty populární kultury - na příkladech populární hudby - rozpracovali čtyři teoretici různého věku a odlišných základních úvah. V praktickém projektu se pak zajímám o to, jak termíny jako je pop music, popularizace a další vnímají mladí, kulturně žijící či hudbu studující lidé ve věku od 20 do 30 let. Powered by TCPDF (www.tcpdf.org)
This disertation named The Definition of "Popular" as Conceived by Theoreticians and Consumers of Popular Culture (On the example of the Use of the Terms ..Popular Music" and ..Pop") aims to present the ideas of four theoreticians of popular culture - John Storey, Theodor W. Adorno. Dwight Macdonald and John Fiske - in order to define what do the terms ..popular" and ..pop" mean, mainly in the context with music. As it has shown, the definition of what pop and popular migh be is not as easy and unambiguous. The conception of these terms differ from one theoretician to another as they conceive it from different point of view. This point of view might be influenced by their political orientation, period of their lifetime and experience. Powered by TCPDF (www.tcpdf.org)