Autobiographische Fragmente in der modernen deutschen Literatur: Selbstinszenierungen des Ich in den Grenzfällen des Autobiographischen
Autobiographical fragments in the modern German literature: selfperformance in the liminal autobiographies
Autobiografické fragmenty v moderní německé literatuře: sebeinscenace Já v experimentálních autobiografiích
dissertation thesis (DEFENDED)
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http://hdl.handle.net/20.500.11956/24343Identifiers
Study Information System: 25080
Collections
- Kvalifikační práce [23201]
Author
Advisor
Referee
Weinberg, Manfred
Svatoň, Vladimír
Faculty / Institute
Faculty of Arts
Discipline
Germanic Languages and Literatures
Department
Institute of Philosophy and Religious Studies
Date of defense
12. 6. 2009
Publisher
Univerzita Karlova, Filozofická fakultaLanguage
German
Grade
Pass
Autobiograficke fragmenty z konce 19. a plVlli poloviny 20. stoleti, ktere vymezuje a analyzuje tato pnice, ukazuji mozne pi'istupy ke krizi subjektu a krizi jazyka v moderne a jejich promitnuti do zanru autobiografie. Experimentalni texty, jejichZ autory jsou A. Stifter, Klabund, Ch. Morgenstern, H. Mann, H. Hesse, A. Döblin, G. Kaiser, H. H. Jahnn, K. Tucholsky, 1. Wassermann, C. Zuckmayer, C. Sternheim a K. Valentin, se vyznacuji komunikativni otevrenosti, ironii a vtipem; strukturou hranice a liminaIniho byti, vcetne prekracovani faktick)'ch, textovy-ch i jazykovy-ch hranic; sebeinscenaci a tematizaci a problematizaci vztahu textu a zobrazovane "skutecnosti". Tyto texty tak radikainim zpusobem dokladaji promeny mysleni moderny.
Autobiographical fragments from Late 1 9th and Early 20th Century, characterized and analyzed in this PhD thesis, demonstrate different approaches to the crisis of the subject and the language in Modernism, and how they are reflected in the gerne of the Autobiography. Experimental texts written by A. Stifter, Klabund, C. Morgenstern, H. Mann, H. Hesse, A. Döblin, G. Kaiser, H. H. Jahnn, K. Tucholsky, 1. Wassermann, C. Zuckmayer, C. Sternheim and K. Valentin are characterized by the communicative openness, irony and wit; the boarder stmcture, liminal existence and crossing of factual, textual and language boarders; self-performance and the discussion of the relation between the text and the presented "reality". They document the most important changes in the concepts of the Modernism.