António Lobo Antunes: rozpětí románu
António Lobo Antunes: extent of a novel
dissertation thesis (DEFENDED)
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http://hdl.handle.net/20.500.11956/24329Identifiers
Study Information System: 24524
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- Kvalifikační práce [22841]
Author
Advisor
Referee
Housková, Anna
Burianová, Zuzana
Faculty / Institute
Faculty of Arts
Discipline
Romance Literatures
Department
Institute of Romance Studies
Date of defense
30. 6. 2010
Publisher
Univerzita Karlova, Filozofická fakultaLanguage
Czech
Grade
Pass
Antonio Lobo Antunes (1942) je autorem, ktery osobite zobrazuje dnesni portugalskou spolecnost, a je take umelcem, ktery dba na estetickou hodnotu svych del, neustale zdokonaluje sve nastroje a pokousi se, jak sam pi'iznava, pretvorit roman. Rozhodli jsme se proto propojit uvahu 0 tvurcich postupech v Lobo Antunesovych dilech s presnejsi definici jejich "zanrovosti". Sam autor nam k tomu otevrel cestu, kdyz v titulech nekterych svych del uvedl zanrovy nebo parazanrovy odkaz. Z techto del jsme si vybrali pet titulu, ktere zaroven umoznuji po chop it vyvoj autorovy tvorby mezi lety 1981 a 2000: Vyklad ptaku (1981), Hra 0 proklerych (1985), Traktat 0 vasnich duse (1990), Rukovet' inkvizitoru (1996) a Nevchazej tak rychle do te temne noci, basen (2000). Vychodiskem a zakladnim metodologickym nastrojem rozboru je Genettova teorie "paratextu" a tzv. zanrova modulace, ktera navazuje na genologicke teorie Schaeffera, Aguiara e Silvy, Fowlera, Genetta a Reise a ktera umoznuje prozkoumat nejen semantickou vazbu mezi titulem (udajem 0 zanru) a dilem, ale take indicie architextovych, zanrovych a diskursivnich poloh, ktere z daneho dila vytvareji jedinecny esteticky vY'tvor. Cilem prace je pak prokazat, jak v ruznych etapach sve literami tvorby Lobo Antunes nakladal s tvurcimi postupy, respektive jak na tvaru...
Antonio Lobo Antunes (1942) is not only a writer who, in a very personal way, depicts contemporary Portuguese society: he is also an artist who cares about the aesthetic value of his works refining permanently his tools in view of transforming the art of the novel. We decided thus to reflect on the creative process in Lobo Antunes' works giving a more accurate definition of their generic features. The writer himself opened a way for us to reflect, having entitled some of his works by an explicit generic or parageneric reference: An Explanation of the Birds (1981), Act of the Damned (1985), Treatise of the sours Passions (1990), The Inquisitors' Manual (1996) and Don't Go So Fast Into That Dark Night (2000), referred to as a poem. The starting point and the basic methodological tool of our analyses is Genette's theory of the paratext and the so-called generic modulation, which is based on genre theories developed by J. M. Schaeffer, Aguiar e Silva, Fowler, Genette and Reis. These tools allow us to explore not only the semantic link between a title (or a generic indication) and a literary text, but also the signs of the architextual, generic and discoursive layers. The aim of the thesis is to demonstrate how Lobo Antunes, in different moments of his literary career, worked out his processes, how different...