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dc.creatorJan Bouzek, Monika Pecinovská, Jaroslav Řídký, Pavel Sankot
dc.date2017
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dc.date.accessioned2018-05-28T11:05:33Z
dc.date.available2018-05-28T11:05:33Z
dc.date.issued2017
dc.identifierISSN 2336-8144
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97423
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dc.descriptionThe paper presents new ideas on interpretation of the Early La Tène art and new studies of Mediterraneanimports in central Europe (pottery, bronze vessels and glass) taking into account the context of their creationbut also of their deposition (with the probable significance of ‘objects of memory’). Not all the pieces musthave been trade goods brought through the Salt route; some may be results of individual events (transactiongifts, dowry in diplomatic marriages, heritage – keimelia). The examples of the Mediterranean technique,crafts and science were more important than the imported objects themselves. The latter are clear proofsof contacts while the imitations and reflexions of Mediterranean models show that these models or ideaswere more or less known also in the more distant regions.
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dc.publisherFilozofická fakulta Univerzity Karlovy
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceStudia Hercynia, 2017, 21, 1, p. 45-75
dc.subjectGreek pottery
dc.subjectEtruscan and Italic bronze vessels
dc.subjectBohemia
dc.subjectEarly La Tène art
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dc.titleBemerkungen zur keltischen Kunst und zu mediterranen Importen in Frühlatènezeit in Böhmen
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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