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dc.creatorOndřej Daniel
dc.date2017
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dc.date.accessioned2018-05-28T11:05:26Z
dc.date.available2018-05-28T11:05:26Z
dc.date.issued2017
dc.identifierISSN 2336-6699
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97339
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dc.descriptionThis scholarly article investigates different levels of appropriation of new-age spirituality in threesubcultural contexts. The research focuses on the period of changes from state socialism to liberaldemocracy in Czechoslovakia. The three subcultural contexts in question are those of black metalscene around Prague-based band Törr, “underground” dissident subcultural formations and a peculiarpersonality of Vincent Venera and his hardcore-experimental musical band Saint Vincent.Three different strategies of using new-age spirituality are examined with the help of hypothesis of(sub)cultural transfer.
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dc.publisherFilozofická fakulta Univerzity Karlovy
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceStudia Ethnologica Pragensia, 2017, 1, 96-106
dc.subjectsubcultures
dc.subjectnew-age
dc.subjectblack metal
dc.subjectunderground
dc.subjectnew wave
dc.subjecthardcore punk
dc.subjectfanzines
dc.subjectSatanism
dc.subjectmoral panic
dc.subjecteclecticism
dc.subjectcultural transfer
dc.subjectsubcultural capital
dc.title„Magické noci počal čas“: new-age spiritualita a subkultury v čase změn
dc.titlePraga magica: New-age spirituality and Czech subculturesduring the changes of late 1980s and early 1990s
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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dc.description.startPage96
dc.description.endPage106
dcterms.isPartOf.nameStudia Ethnologica Pragensiacs_CZ
dcterms.isPartOf.journalYear2017
dcterms.isPartOf.journalVolume2017
dcterms.isPartOf.journalIssue1


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