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dc.contributor
dc.creatorKristýna Celhofferová
dc.date2016
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dc.date.accessioned2018-05-28T11:05:14Z
dc.date.available2018-05-28T11:05:14Z
dc.date.issued2016
dc.identifierISSN 2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97180
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dc.descriptionThis study is concerned with the swooning as one of the characteristic motifs of modernism, arising from a period of reflexive attention. First it will examine this in the dramas of Arthur Schnitzler Zug der Schatten and Frank Wedekind’s Erdgeist, then will turn to the demarcated realm of Central European Modernism (with support from Moritz Csáky’s characterization of Zentraleurope) as located in the works of Karel Čapek. Janáček’s libreto The Makropulos Affair comments on the basic polemics in whose background are shown the crucial importance of the motif of fainting in the overall construction of Čapek’s early works.
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dc.publisherUniverzita Karlova, Filozofická fakulta
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSlovo a smysl - Word & Sense, 2016, 13, 26, 61-76
dc.subjectMdloba
dc.subjectzhroucení
dc.subjectpád
dc.subjectmoc
dc.subjectbezmoc
dc.subjectKarel Čapek
dc.subjectLeoš Janáček
dc.subjectArthur Schnitzler
dc.subjectFrank Wedekind
dc.subjectswoon
dc.subjectcollapse
dc.subjectfall
dc.subjectpotency
dc.subjectimpotence
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dc.titleExistence a ten, kdo omdlívá ve V(v)ěci Makropulos, Tažení stínů (moderny) a v Duchu (středoevropské) země
dc.titleExistence and He, Who Faints at The Makropulos Affair, The Campaign of Shadows (Modernism) and The Spirit of the (Central European) Land
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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dc.description.startPage61
dc.description.endPage76
dcterms.isPartOf.nameSlovo a smysl - Word & Sensecs_CZ
dcterms.isPartOf.journalYear2016
dcterms.isPartOf.journalVolume13
dcterms.isPartOf.journalIssue26


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