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dc.contributor
dc.creatorAlvaro Salvador
dc.date2016
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dc.date.accessioned2018-05-28T11:05:09Z
dc.date.available2018-05-28T11:05:09Z
dc.date.issued2016
dc.identifierISSN 2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97114
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dc.descriptionThe article examines the relationships between literature and painting in the works of Rubén Darío. The issue is seen in the context of modernis synesthesia, which was strongly present in the literary ideology of the modernist discourse, and it is analyzed with the help of the theories of ekphrasis of Murray Krieger. In Darío’s canonical works painting plays an important role, both in the form of literary references, and the so called “transpositions of art”, in its intent to create a total art.
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dc.publisherUniverzita Karlova, Filozofická fakulta
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury: Časopis pro novodobé literatury, 2016, Zvláštní vydání - El mundo de la literatura, 61-73
dc.subjectHispanic modernism
dc.subjectRubén Darío
dc.subjectliterature and painting
dc.subjectekphrasis
dc.subjectsynesthesia
dc.subjectmodernismo hispánico
dc.subjectRubén Darío 
dc.subjectliteratura y pintura 
dc.subjectekfrasis
dc.subjectsinestesia
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dc.titleRubén Darío y la pintura. Principio ekfrástico y sinestesia
dc.titleRUBÉN DARÍO AND PAINTING. EKPHRASTIC PRINCIPLE AND SYNESTHESIA
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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uk.internal-typeuk_publication
dc.description.startPage61
dc.description.endPage73
dcterms.isPartOf.nameSvět literatury: Časopis pro novodobé literaturycs_CZ
dcterms.isPartOf.journalYear2016
dcterms.isPartOf.journalVolume2016
dcterms.isPartOf.journalIssueZvláštní vydání - El mundo de la literatura


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