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dc.creatorJiří Anger
dc.date2016
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dc.date.accessioned2018-05-28T11:05:07Z
dc.date.available2018-05-28T11:05:07Z
dc.date.issued2016
dc.identifierISSN 2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97078
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dc.descriptionThis study aims to theorise a sonic experience that is informed by psychotic, or more specifically schizophrenic, perception. This kind of experience, characterised mainly by dissipation of recognisable sounds into a multiplicity of fragments, manifests itself in certain experimental films from the 1960s and 70s. With the help from certain works of ‘anti-psychiatry movement’ and like-minded philosophers such as Michel Foucault or Gilles Deleuze, the study addresses how the auditory perception in schizophrenia can be expressed in cinema and in what ways it can problematise the dominant regime of signification. Two distinctive films, Jane Arden’s The Other Side of the Underneath (1972) and Frans Zwartjes’s Pentimento (1979), serve as case studies.
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dc.publisherUniverzita Karlova, Filozofická fakulta
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSlovo a smysl - Word & Sense, 2016, 13, 26, 89-96
dc.subjectAnti-psychiatrické hnutí
dc.subjectpsychóza
dc.subjectschizofrenie
dc.subjectexperimentální film
dc.subjectdestratifikace zvuku
dc.subjectsignifikace
dc.subjectanti-psychiatry movement
dc.subjectpsychosis
dc.subjectschizophrenia
dc.subjectexperimental film
dc.subjectdestratification of sound
dc.subjectsignification
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dc.titleRozkladná zkušenost šílenství. Destratifikace zvuku v „anti-psychiatrických“ filmech
dc.titleDisruptive Experience of Madness. Destratification of Sound in ‘Anti-psychiatry’ Films
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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