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dc.contributor
dc.creatorVladimír Svatoň
dc.date2017
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dc.date.accessioned2018-05-28T11:05:05Z
dc.date.available2018-05-28T11:05:05Z
dc.date.issued2017
dc.identifierISSN 2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97059
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dc.descriptionLiterary history commonly grounds itself in the heritage of philosophical positivism. It is not only its predilection for facts, but also a belief that the facts themselves can provide for the contours of syntheses and concepts of major styles and genres. The era of symbolism marked the renewed interest in philosophical hermeneutics, and, consequently, the realization that empirical knowledge is structured by a ground of a-priori assumptions (the rehabilitation of “prejudice”). This ground gave rise to a series of major concepts, the best known of which are Ferdinand Saussure’s “langue” and “parole”, but there are many more of similar pairs: Viktor Shklovsky “story” (fabula) and “plot” (syuzhet), Jan Mukařovský’s “semantic gesture” and “structure”, or Yury Tynianov’s “tightness of a verse line” and “syntax”. In the field of philosophy it is Arnold Toynbee’s pair of terms “challenge” and “answer”. Husserl’s concept of “Lebenswelt” is the most important explication of this approach in philosophy.
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dc.publisherFilozofická fakulta Univerzity Karlovy
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury: Časopis pro novodobé literatury, 2017, 55, 46-56
dc.subjectSymbolism
dc.subjectcultural paradigm
dc.subjecthermeneutics
dc.subjectSaussure
dc.subjectV. Shklovsky
dc.subjectJ. Mukařovský
dc.subjectY. Tynianov
dc.subjectE. Husserl
dc.subjectSymbolismus
dc.subjectkulturní paradigma
dc.subjecthermeneutika
dc.subjectV. Šklovský
dc.subjectJ. Tyňanov 
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dc.titleSymbolismus jako inspirace pro 20. století. Pojem „kulturního paradigmatu“
dc.titleSYMBOLISM AS INSPIRATION FOR THE 20TH CENTURY:A CONCEPT OF A CULTURAL PARADIGM
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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