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dc.contributorTopor, Michal
dc.creatorIbler, Reinhard
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dc.date2015
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dc.date.accessioned2018-05-28T11:05:03Z
dc.date.available2018-05-28T11:05:03Z
dc.date.issued2015
dc.identifierISSN 2336-6680
dc.identifier.urihttp://hdl.handle.net/20.500.11956/97026
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dc.descriptionThe paper presents the Czech-Jewish writer Josef Bor (1906–1979) and his first published book, the novel Opuštěná panenka / The Abandoned Doll (1961). Bor’s topic here was his own personal experience of the Holocaust: from his deportation to Terezín and later to Auschwitz, where he loses his entire family including two little daughters, via captivity in other concentration camps and „marches of death“ all the way to liberation, occurring in his case close to Jena, Germany. On the basis of these prominently autobiographic references, the reviewers often emphasized that the work has primarily documentary character. The present essay, on the other hand, views The Abandoned Doll primarily as a literary fiction wherein the fate of the protagonist and his family is, rather than documentary, of an exemplary, symbolic nature. The primary goal of the novel is not to represent a particular authentic case but rather to give a broad idea, anchored in a particular case, of the functioning of the Holocaust as a machinery of total humiliation and systematic killing.
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dc.publisherUniverzita Karlova v Praze, Filozofická fakulta
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dc.rights
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSlovo a smysl - Word & Sense, 2015, 12, 23, 80-93
dc.subjectJan Bor
dc.subjectfacticity
dc.subjectfaktičnost
dc.subjectfikčnost
dc.titleJosef Bors Roman Opuštěná panenka zwischen Faktizität und Fiktionalität
dc.titleJosef Bor’s Novel The Abandoned Doll in Between Facticity and Fictionality
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dc.typearticle
dc.typeČlánekcs_CZ
dc.typeArticleen_US
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uk.internal-typeuk_publication
dc.description.startPage80
dc.description.endPage93
dcterms.isPartOf.nameSlovo a smysl - Word & Sensecs_CZ
dcterms.isPartOf.journalYear2015
dcterms.isPartOf.journalVolume12
dcterms.isPartOf.journalIssue23


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