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dc.creatorJan Bažant
dc.date2016
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dc.date.accessioned2018-05-28T11:04:44Z
dc.date.available2018-05-28T11:04:44Z
dc.date.issued2016
dc.identifierISSN 2336-8144
dc.identifier.urihttp://hdl.handle.net/20.500.11956/96772
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dc.descriptionThe paper analyses three relief sculptures that decorate spandrels of the northern façade of the Prague Belvedere, which was built by Ferdinand I between 1538 and ca. 1550. Their uniqueness consists in that it is the first series inspired by the myth of Perseus in Renaissance architectural sculpture. We find here, from left to right: Perseus freeing Andromeda, Perseus turning Atlas into a rock by showing him the head of Medusa, and Pegasus creating a source of poetical inspiration. The monogram, FA (Ferdinand I and Anna, his wife) is the only inscription on this villa and it has a crucial role in the villa decoration. We may consider Perseus as alter ego of Ferdinand I.
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dc.publisherUniverzita Karlova, Filozofická fakulta
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dc.rights
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceStudia Hercynia, 2016, 20, 1, p. 127-150
dc.subjectrelief sculpture  
dc.subjectallegory
dc.subjectFerdinand I 
dc.subjectPerseus
dc.subjectAndromeda
dc.subjectRenaissance art
dc.titlePerseus as Alter Ego of Ferdinand I
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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dc.description.startPage127
dc.description.endPage150
dcterms.isPartOf.nameStudia Hercyniacs_CZ
dcterms.isPartOf.journalYear2016
dcterms.isPartOf.journalVolume20
dcterms.isPartOf.journalIssue1


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