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dc.contributor
dc.creatorTeresa Martins Marques
dc.date2017
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dc.date.accessioned2018-05-28T11:04:41Z
dc.date.available2018-05-28T11:04:41Z
dc.date.issued2017
dc.identifierISSN 2336–6729
dc.identifier.urihttp://hdl.handle.net/20.500.11956/96714
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dc.descriptionLessons from Modernity are sought in the early work of Raul Brandão, with particular reference to the construction of the “interior monologue” as “meditation” and “soliloquy”, as well as the stream of consciousness, which, especially in A Farsa and Humus, expresses a mental speech approximate to the “nouveau roman”. Because of the dismantling of the traditional intrigue through the creation of a symbolic space and the dilution of the characters in a narrative magma, in which Time becomes the driving force for the “action”, Raul Brandão’s work could be regarded as a “nouveau roman” avant la lettre: the monologues oscillate between remembrance and project, the real and the imaginary, and so anticipate James Joyceʼs Ulysses, which represents the world in its essentiality; under the aegis of Modernity, there is an interruption of the gender protocols of the novel.
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dc.publisherFilozofická fakulta Univerzity Karlovy
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dc.rights
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dc.rightshttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.sourceSvět literatury: Časopis pro novodobé literatury, 2017, Zvláštní vydání - O mundo da literatura, 125-132
dc.subjectRaul Brandão
dc.subjectNouveau Roman
dc.subjectinterior monologue
dc.subjectNouveau Roman
dc.subjectmonólogo interior
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dc.titleRaul Brandão — A Condição Trágica do Homem Moderno
dc.titleRaul Brandão — The Tragic Condition of Modern Man
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dc.typeČlánekcs_CZ
dc.typeArticleen_US
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uk.internal-typeuk_publication
dc.description.startPage125
dc.description.endPage132
dcterms.isPartOf.nameSvět literatury: Časopis pro novodobé literaturycs_CZ
dcterms.isPartOf.journalYear2017
dcterms.isPartOf.journalVolume2017
dcterms.isPartOf.journalIssueZvláštní vydání - O mundo da literatura


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