| dc.contributor.advisor | Goddard, Jean-Christophe | |
| dc.creator | Ghasemi, Samira | |
| dc.date.accessioned | 2020-08-25T09:08:51Z | |
| dc.date.available | 2020-08-25T09:08:51Z | |
| dc.date.issued | 2017 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.11956/92384 | |
| dc.description.abstract | Abstrait Le sujet principal de mon mémoire c'est le rapport entre l'œuvre d'art, le créateur et le spectateur, dans le processus de la compréhension et la création du sens. Je cherche à comprendre comment une œuvre d'art est créée et interprétée. La thèse que j'aimerais défendre dans cette recherche, c'est l'application de la phénoménologie herméneutique de Hans-George Gadamer avec la performance. Mots clés Art- Performance- Sens- Phénoménologie- Herméneutique- Phénoménologie herméneutique- Schleiermacher- Heidegger- Darstellung- Jeu- Transmutation- Mimesis- Médiation- Occasionnalité- Temporalité- Tradition- Préjugé- Horizon- Dialogue | cs_CZ |
| dc.description.abstract | The main subject of my MA thesis is the relationship between art, artist and the audience in the process of comprehension and creation of the meaning. I try to understand how a piece of art is created and interpreted. The thesis that I would like to defend in this research is the application of the hermeneutical phenomenology of Hans Georg Gadamer to performance. Key Words Art- Performance- Meaning- Phenomenology- Hermeneutics- Hermeneutical phenomenology- Schleiermacher- Heidegger- Darstellung (presentation) - Play- Transmutation- Mimesis- Mediation- Occasionnality- Temporality- Tradition- Prejudgment- Horizon- Dialogue | en_US |
| dc.language | French | cs_CZ |
| dc.language.iso | fr_FR | |
| dc.publisher | Univerzita Karlova, Fakulta humanitních studií | cs_CZ |
| dc.title | Phénoménologie herméneutique de la performance. Selon la phénoménologie herméneutique de Hans-Georg Gadamer Et Vérité et Méthode | fr_FR |
| dc.type | diplomová práce | cs_CZ |
| dcterms.created | 2017 | |
| dcterms.dateAccepted | 2017-09-27 | |
| dc.description.department | Department of German and French Philosophy | en_US |
| dc.description.department | Pracoviště oboru Německá a francouzská filozofie | cs_CZ |
| dc.description.faculty | Faculty of Humanities | en_US |
| dc.description.faculty | Fakulta humanitních studií | cs_CZ |
| dc.identifier.repId | 194032 | |
| dc.title.translated | Hermeneutical Phenomenology of Performance. Based on the hermeneutical phenomenology of Hans-Georg Gadamer and Truth and Method | en_US |
| dc.contributor.referee | Serban, Claudia | |
| dc.identifier.aleph | 002157018 | |
| thesis.degree.name | Mgr. | |
| thesis.degree.level | navazující magisterské | cs_CZ |
| thesis.degree.discipline | German and French Philosophy in the European context (EuroPhilosophy) | en_US |
| thesis.degree.discipline | Německá a francouzská filozofie v Evropě (Eurofilozofie) | cs_CZ |
| thesis.degree.program | Philosophy | en_US |
| thesis.degree.program | Filozofie | cs_CZ |
| uk.thesis.type | diplomová práce | cs_CZ |
| uk.taxonomy.organization-cs | Fakulta humanitních studií::Pracoviště oboru Německá a francouzská filozofie | cs_CZ |
| uk.taxonomy.organization-en | Faculty of Humanities::Department of German and French Philosophy | en_US |
| uk.faculty-name.cs | Fakulta humanitních studií | cs_CZ |
| uk.faculty-name.en | Faculty of Humanities | en_US |
| uk.faculty-abbr.cs | FHS | cs_CZ |
| uk.degree-discipline.cs | Německá a francouzská filozofie v Evropě (Eurofilozofie) | cs_CZ |
| uk.degree-discipline.en | German and French Philosophy in the European context (EuroPhilosophy) | en_US |
| uk.degree-program.cs | Filozofie | cs_CZ |
| uk.degree-program.en | Philosophy | en_US |
| thesis.grade.cs | Velmi dobře | cs_CZ |
| thesis.grade.en | Very good | en_US |
| uk.abstract.cs | Abstrait Le sujet principal de mon mémoire c'est le rapport entre l'œuvre d'art, le créateur et le spectateur, dans le processus de la compréhension et la création du sens. Je cherche à comprendre comment une œuvre d'art est créée et interprétée. La thèse que j'aimerais défendre dans cette recherche, c'est l'application de la phénoménologie herméneutique de Hans-George Gadamer avec la performance. Mots clés Art- Performance- Sens- Phénoménologie- Herméneutique- Phénoménologie herméneutique- Schleiermacher- Heidegger- Darstellung- Jeu- Transmutation- Mimesis- Médiation- Occasionnalité- Temporalité- Tradition- Préjugé- Horizon- Dialogue | cs_CZ |
| uk.abstract.en | The main subject of my MA thesis is the relationship between art, artist and the audience in the process of comprehension and creation of the meaning. I try to understand how a piece of art is created and interpreted. The thesis that I would like to defend in this research is the application of the hermeneutical phenomenology of Hans Georg Gadamer to performance. Key Words Art- Performance- Meaning- Phenomenology- Hermeneutics- Hermeneutical phenomenology- Schleiermacher- Heidegger- Darstellung (presentation) - Play- Transmutation- Mimesis- Mediation- Occasionnality- Temporality- Tradition- Prejudgment- Horizon- Dialogue | en_US |
| uk.file-availability | V | |
| uk.grantor | Univerzita Karlova, Fakulta humanitních studií, Pracoviště oboru Německá a francouzská filozofie | cs_CZ |
| thesis.grade.code | 2 | |
| uk.publication-place | Praha | cs_CZ |
| dc.identifier.lisID | 990021570180106986 | |
