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Phenomenology of music and the concept of temporality in the philosophy of E. Husserl
Fenomenologie hudby a pojetí temporality ve filozofii E. Husserla
dc.contributor.advisorHogenová, Anna
dc.creatorKaripova, Alfiia
dc.date.accessioned2017-06-02T12:13:16Z
dc.date.available2017-06-02T12:13:16Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/20.500.11956/84357
dc.description.abstractThis research is dedicated to the connection between phenomenology of music and the temporal conception of Edmund Husserl who influenced new awareness of time in general and musical time in particular. The purpose of the research is foremost to expand horizons and options of musical-philosophical analysis through discovering the alternative understanding of musical perception in author's works especially in his «Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins». The research consists of five main parts arranged by deductive principle: from the general key points of the subject - phenomenology of music (chapter 1), the role of musical art in studies and heritage of E. Husserl (chapter 2) and principles of phenomenological method as a base of temporality conception (chapter 3) the emphasis gradually shifts towards the research of Husserl's temporality conception which is directly connected to musical art which makes our subject notably actual. Besides that the research raises such questions as the role of the concept of time in music, comparison of Husserl's philosophy and A. Webern's music, importance of sense in composition and others. The fundamental and rare scientific studies of philosophy, musicology, sociology of music and other contiguous subjects in Czech and English languages were...en_US
dc.languageRussiancs_CZ
dc.language.isoru_RU
dc.publisherUniverzita Karlova, Husitská teologická fakultacs_CZ
dc.subjectFenomenologiecs_CZ
dc.subjecthudbacs_CZ
dc.subjectčascs_CZ
dc.subjectvnitřní časové vědomícs_CZ
dc.subjectHusserlcs_CZ
dc.subjecttoncs_CZ
dc.subjectimanentní objektcs_CZ
dc.subjectreprodukcecs_CZ
dc.subjectintencionalitacs_CZ
dc.subjecttemporalitacs_CZ
dc.subjectimpresecs_CZ
dc.subjectPhenomenologyen_US
dc.subjectmusicen_US
dc.subjecttimeen_US
dc.subjectthe inner consciousness of timeen_US
dc.subjectHusserlen_US
dc.subjectthe toneen_US
dc.subjectthe immanent objecten_US
dc.subjectreproductionen_US
dc.subjectintentionalityen_US
dc.subjecttemporalityen_US
dc.subjectimpressionen_US
dc.titleFenomenologija muzyki i koncepcija temporal'nosti v filosofii E. Gusserljaru_RU
dc.typediplomová prácecs_CZ
dcterms.created2016
dcterms.dateAccepted2016-09-09
dc.description.departmentHTF - Katedra filozofiecs_CZ
dc.description.facultyHusitská teologická fakultacs_CZ
dc.description.facultyHussite Theological Facultyen_US
dc.identifier.repId132333
dc.title.translatedPhenomenology of music and the concept of temporality in the philosophy of E. Husserlen_US
dc.title.translatedFenomenologie hudby a pojetí temporality ve filozofii E. Husserlacs_CZ
dc.contributor.refereeBlažková, Miloslava
dc.identifier.aleph002102843
thesis.degree.nameMgr.
thesis.degree.levelnavazující magisterskécs_CZ
thesis.degree.disciplinePravoslavná teologie - Filozofiecs_CZ
thesis.degree.disciplineOrthodox Theology - Philosophyen_US
thesis.degree.programTeologiecs_CZ
thesis.degree.programTheologyen_US
uk.thesis.typediplomová prácecs_CZ
uk.taxonomy.organization-csHusitská teologická fakulta::HTF - Katedra filozofiecs_CZ
uk.faculty-name.csHusitská teologická fakultacs_CZ
uk.faculty-name.enHussite Theological Facultyen_US
uk.faculty-abbr.csHTFcs_CZ
uk.degree-discipline.csPravoslavná teologie - Filozofiecs_CZ
uk.degree-discipline.enOrthodox Theology - Philosophyen_US
uk.degree-program.csTeologiecs_CZ
uk.degree-program.enTheologyen_US
thesis.grade.csVýborněcs_CZ
thesis.grade.enExcellenten_US
uk.abstract.enThis research is dedicated to the connection between phenomenology of music and the temporal conception of Edmund Husserl who influenced new awareness of time in general and musical time in particular. The purpose of the research is foremost to expand horizons and options of musical-philosophical analysis through discovering the alternative understanding of musical perception in author's works especially in his «Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins». The research consists of five main parts arranged by deductive principle: from the general key points of the subject - phenomenology of music (chapter 1), the role of musical art in studies and heritage of E. Husserl (chapter 2) and principles of phenomenological method as a base of temporality conception (chapter 3) the emphasis gradually shifts towards the research of Husserl's temporality conception which is directly connected to musical art which makes our subject notably actual. Besides that the research raises such questions as the role of the concept of time in music, comparison of Husserl's philosophy and A. Webern's music, importance of sense in composition and others. The fundamental and rare scientific studies of philosophy, musicology, sociology of music and other contiguous subjects in Czech and English languages were...en_US
uk.file-availabilityV
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Husitská teologická fakulta, HTF - Katedra filozofiecs_CZ
dc.identifier.lisID990021028430106986


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