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Women artists in Bohemia in the nineteenth century
dc.contributor.advisorPrahl, Roman
dc.creatorŠámal, Petr
dc.date.accessioned2017-03-30T15:19:48Z
dc.date.available2017-03-30T15:19:48Z
dc.date.issued2006
dc.identifier.urihttp://hdl.handle.net/20.500.11956/7211
dc.description.abstractJadro diplomove prace se samostatne zabYva dvema Uzce souvisejicimi tematy, ktere se vztahuji k vy-chodiskfun, podminkam a charakteru tvorby - problematikou umeleckeho skoleni a umeleckeho uplatneni. Kapitola 0 pnjeti zenskeho umeni ve vy-tvame kritice pak ukazuje, jake byly zaIdadni dobove postoje k Cinnosti umelkyii; ty se take do jiste miry jejich tvorbu ovlivnovaly. VYtvame umeni zen ve sledovane dobe je mOZne rozclenit na tn hlavni proudy, podle pusobnosti a puvodu jeho predstavitelek: na tvorbu slechticen, neurozenych diletantek a profesiomilnich umelkyii. Uplatneni umelecke Cinnosti slechticen nebylo vzdy omezeno hranicemi soukrome zaliby. Mezi slechtou se vyskytovaly i zeny s verejnymi ambicemi. Slechticny byly take jedny z prvnich zen, ktere se uplatnily ve vy-stavnim zivote. V o sobnosti Jenny Salmove se urozena umelkyne stala prvnim vaZnYm predmetem vy-tvame kritiky mezi zenarni. Zastoupeni urozenych zen ve verejne sfere, ktere muzeme sledovat i v dalSich formach, se tak stalo jednim ze zpusobu, kterYm se zenske umeni uvadelo do povedomi. Svou roli v tomto ohledu sehrcily i neurozene diletantky, ktere vy-jimecne prezentovaly svou praci na verejnosti. Tyto zeny se vedle slechticen ucastnily pocatkU praiskeho vy-stavniho zivota a zastupovaly tak postupne se prosazujici zenske umeni. Pokud byla...cs_CZ
dc.description.abstractThe thesis consists of three chapters, which aim to describe and summarize the pivotal themes, important for the history of female art in Bohemia, i. e. questions of their origin, art education, placement and reception of their art in the temporary criticism. The first chapter inquires into forms of the artistic education according to the kinds of the social origin of the women. Separately it describes the issues of education for professional women artists and women of noble birth. A special attention is paid to the theme of an organized training in visual arts, which was provided by private arts schools at first. An important position among them had the school of drawing for ladies, founded by the painter Amalia Manes in 1853. The essay suggests some circumstances realting to this private school. In the 1860's the art education went through a considerable progress, when a new forms of art teaching were created, based mostly on arts and crafts aims. Considering the fact they arouse about twenty years before establishment the Arts and crafts school in Prague, where they on a relative high level. They also had a particular standing at that time in general. The Industrial School for Girls founded in 1865, was probably the first institution of its kind in the Habsburg Monarchy. The Trade and Industrial School...en_US
dc.languageČeštinacs_CZ
dc.language.isocs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.titleVýtvarné umělkyně v 19. století v Čecháchcs_CZ
dc.typediplomová prácecs_CZ
dcterms.created2006
dcterms.dateAccepted2006-09-14
dc.description.departmentÚstav pro dějiny uměnícs_CZ
dc.description.departmentInstitute of Art Historyen_US
dc.description.facultyFaculty of Artsen_US
dc.description.facultyFilozofická fakultacs_CZ
dc.identifier.repId26994
dc.title.translatedWomen artists in Bohemia in the nineteenth centuryen_US
dc.contributor.refereeBydžovská, Lenka
dc.identifier.aleph000779188
thesis.degree.nameMgr.
thesis.degree.levelmagisterskécs_CZ
thesis.degree.disciplineHistory of Arten_US
thesis.degree.disciplineDějiny uměnícs_CZ
thesis.degree.programTheory and History of Art and Cultureen_US
thesis.degree.programObecná teorie a dějiny umění a kulturycs_CZ
uk.thesis.typediplomová prácecs_CZ
uk.taxonomy.organization-csFilozofická fakulta::Ústav pro dějiny uměnícs_CZ
uk.taxonomy.organization-enFaculty of Arts::Institute of Art Historyen_US
uk.faculty-name.csFilozofická fakultacs_CZ
uk.faculty-name.enFaculty of Artsen_US
uk.faculty-abbr.csFFcs_CZ
uk.degree-discipline.csDějiny uměnícs_CZ
uk.degree-discipline.enHistory of Arten_US
uk.degree-program.csObecná teorie a dějiny umění a kulturycs_CZ
uk.degree-program.enTheory and History of Art and Cultureen_US
thesis.grade.csVýborněcs_CZ
thesis.grade.enExcellenten_US
uk.abstract.csJadro diplomove prace se samostatne zabYva dvema Uzce souvisejicimi tematy, ktere se vztahuji k vy-chodiskfun, podminkam a charakteru tvorby - problematikou umeleckeho skoleni a umeleckeho uplatneni. Kapitola 0 pnjeti zenskeho umeni ve vy-tvame kritice pak ukazuje, jake byly zaIdadni dobove postoje k Cinnosti umelkyii; ty se take do jiste miry jejich tvorbu ovlivnovaly. VYtvame umeni zen ve sledovane dobe je mOZne rozclenit na tn hlavni proudy, podle pusobnosti a puvodu jeho predstavitelek: na tvorbu slechticen, neurozenych diletantek a profesiomilnich umelkyii. Uplatneni umelecke Cinnosti slechticen nebylo vzdy omezeno hranicemi soukrome zaliby. Mezi slechtou se vyskytovaly i zeny s verejnymi ambicemi. Slechticny byly take jedny z prvnich zen, ktere se uplatnily ve vy-stavnim zivote. V o sobnosti Jenny Salmove se urozena umelkyne stala prvnim vaZnYm predmetem vy-tvame kritiky mezi zenarni. Zastoupeni urozenych zen ve verejne sfere, ktere muzeme sledovat i v dalSich formach, se tak stalo jednim ze zpusobu, kterYm se zenske umeni uvadelo do povedomi. Svou roli v tomto ohledu sehrcily i neurozene diletantky, ktere vy-jimecne prezentovaly svou praci na verejnosti. Tyto zeny se vedle slechticen ucastnily pocatkU praiskeho vy-stavniho zivota a zastupovaly tak postupne se prosazujici zenske umeni. Pokud byla...cs_CZ
uk.abstract.enThe thesis consists of three chapters, which aim to describe and summarize the pivotal themes, important for the history of female art in Bohemia, i. e. questions of their origin, art education, placement and reception of their art in the temporary criticism. The first chapter inquires into forms of the artistic education according to the kinds of the social origin of the women. Separately it describes the issues of education for professional women artists and women of noble birth. A special attention is paid to the theme of an organized training in visual arts, which was provided by private arts schools at first. An important position among them had the school of drawing for ladies, founded by the painter Amalia Manes in 1853. The essay suggests some circumstances realting to this private school. In the 1860's the art education went through a considerable progress, when a new forms of art teaching were created, based mostly on arts and crafts aims. Considering the fact they arouse about twenty years before establishment the Arts and crafts school in Prague, where they on a relative high level. They also had a particular standing at that time in general. The Industrial School for Girls founded in 1865, was probably the first institution of its kind in the Habsburg Monarchy. The Trade and Industrial School...en_US
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Filozofická fakulta, Ústav pro dějiny uměnícs_CZ
dc.identifier.lisID990007791880106986


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