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Mexický muralismus ve 20. století
dc.contributor.advisorOpatrný, Josef
dc.creatorBinková, Petra
dc.date.accessioned2021-05-19T12:59:48Z
dc.date.available2021-05-19T12:59:48Z
dc.date.issued2006
dc.identifier.urihttp://hdl.handle.net/20.500.11956/4681
dc.description.abstractAs I was trying to suggest in this text, the cultural value of mural production is political in the sense that it responds to interests and motives of the social world and intends to transform the space which it occupies. When doing so, such visual works orient itself toward the construction of its own public. The mural process that aspires to create mural art must therefore be multiple and combined. A similar thought has been pointed out by Bruce Campbell his book Mexican Murals in Times of Crisis: [Mural practice must be] making its commitments and negotiating compromises within the balance of social forces; attempting to fix in some manner the social context in which it takes place; hailing a more or less broad sector of the social milieu; and seeking out some meaningful figure with an eye toward symbolic consensus, or "no man's land" capable of negotiating through perspectival conflicts over the space of the work.,,161 Only by attention to the practical components of muralism does it become possible to recognize a contextual variety of mural work. In fact, these are nothing more than distinct modes of formal compromise between the production of the mural image and its public. An alternative delineation of contemporary muralism is thus at the same time a delineation of practical accomplishments...en_US
dc.description.abstractPráce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazycecs_CZ
dc.languageEnglishcs_CZ
dc.language.isoen_US
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.titleThe 20th century muralism in Mexicoen_US
dc.typerigorózní prácecs_CZ
dcterms.created2006
dcterms.dateAccepted2006-05-30
dc.description.departmentCentre for Ibero-American Studiesen_US
dc.description.departmentStředisko ibero-amerických studiícs_CZ
dc.description.facultyFaculty of Artsen_US
dc.description.facultyFilozofická fakultacs_CZ
dc.identifier.repId99831
dc.title.translatedMexický muralismus ve 20. stoletícs_CZ
dc.contributor.refereeŠtěpánek, Pavel
dc.identifier.aleph001708331
thesis.degree.namePhDr.
thesis.degree.levelrigorózní řízenícs_CZ
thesis.degree.disciplineHistory of Latin Americaen_US
thesis.degree.disciplineIberoamerikanistika - dějiny Latinské Amerikycs_CZ
thesis.degree.programHistoryen_US
thesis.degree.programHistorické vědycs_CZ
uk.thesis.typerigorózní prácecs_CZ
uk.taxonomy.organization-csFilozofická fakulta::Středisko ibero-amerických studiícs_CZ
uk.taxonomy.organization-enFaculty of Arts::Centre for Ibero-American Studiesen_US
uk.faculty-name.csFilozofická fakultacs_CZ
uk.faculty-name.enFaculty of Artsen_US
uk.faculty-abbr.csFFcs_CZ
uk.degree-discipline.csIberoamerikanistika - dějiny Latinské Amerikycs_CZ
uk.degree-discipline.enHistory of Latin Americaen_US
uk.degree-program.csHistorické vědycs_CZ
uk.degree-program.enHistoryen_US
thesis.grade.csUznánocs_CZ
thesis.grade.enRecognizeden_US
uk.abstract.csPráce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazyce Práce neobsahuje abstrakt v českém jazycecs_CZ
uk.abstract.enAs I was trying to suggest in this text, the cultural value of mural production is political in the sense that it responds to interests and motives of the social world and intends to transform the space which it occupies. When doing so, such visual works orient itself toward the construction of its own public. The mural process that aspires to create mural art must therefore be multiple and combined. A similar thought has been pointed out by Bruce Campbell his book Mexican Murals in Times of Crisis: [Mural practice must be] making its commitments and negotiating compromises within the balance of social forces; attempting to fix in some manner the social context in which it takes place; hailing a more or less broad sector of the social milieu; and seeking out some meaningful figure with an eye toward symbolic consensus, or "no man's land" capable of negotiating through perspectival conflicts over the space of the work.,,161 Only by attention to the practical components of muralism does it become possible to recognize a contextual variety of mural work. In fact, these are nothing more than distinct modes of formal compromise between the production of the mural image and its public. An alternative delineation of contemporary muralism is thus at the same time a delineation of practical accomplishments...en_US
uk.file-availabilityV
uk.grantorUniverzita Karlova, Filozofická fakulta, Středisko ibero-amerických studiícs_CZ
thesis.grade.codeU
uk.publication-placePrahacs_CZ
uk.thesis.defenceStatusU
dc.identifier.lisID990017083310106986


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