dc.contributor.advisor | Wittlich, Petr | |
dc.creator | Piškur, Bojana | |
dc.date.accessioned | 2018-10-30T02:09:59Z | |
dc.date.available | 2018-10-30T02:09:59Z | |
dc.date.issued | 2006 | |
dc.identifier.uri | http://hdl.handle.net/20.500.11956/3569 | |
dc.description.abstract | The aim of this dissertation is to direct attention towards differential way of approaching spaces of art, on the basis of Lefebvrian space production. But the space production in question is just one aspect which cannot be isolated from the wider social environment. While differential spaces of art seem to be - in theory at least- an ideal place for discussion within recent debates on representation, culture, identity and so on, they have nevertheless been relatively isolated from these perspectives. The main reason is that it is impossible to analyze the actual production of differential spaces. lt is possible, however, to elucidate and expose the production and the product - space (they are inevitably connected) - through first-hand experiences (participation), and through secondary sources such as documentary materials, newspaper articles, interviews etc. Production of differential spaces of art can be recognized in the following spatialities: appropriated spaces, embodied spaces, spaces of the so called "third sector", and inner spaces of mind, to name the examples described in the dissertation. lt also seeks answers to questions: what is specific to the production of differential spaces of art? What is the relationship between different spatialities? Between differential spaces of art and the... | en_US |
dc.language | English | cs_CZ |
dc.language.iso | en_US | |
dc.publisher | Univerzita Karlova, Filozofická fakulta | cs_CZ |
dc.title | Art spaces outside institutional frames: differential spaces of art | en_US |
dc.type | dizertační práce | cs_CZ |
dcterms.created | 2006 | |
dcterms.dateAccepted | 2006-03-01 | |
dc.description.department | Institute of Art History | en_US |
dc.description.department | Ústav pro dějiny umění | cs_CZ |
dc.description.faculty | Filozofická fakulta | cs_CZ |
dc.description.faculty | Faculty of Arts | en_US |
dc.identifier.repId | 135605 | |
dc.title.translated | Umělecké prostory mimo institucionální rámce: diferenciální prostory umění | cs_CZ |
dc.contributor.referee | Pachmanová, Martina | |
dc.contributor.referee | Lahoda, Vojtěch | |
dc.identifier.aleph | 000625087 | |
thesis.degree.name | Ph.D. | |
thesis.degree.level | doktorské | cs_CZ |
thesis.degree.discipline | History and Visual Arts | en_US |
thesis.degree.discipline | Dějiny výtvarného umění | cs_CZ |
thesis.degree.program | Theory and History of Arts and Culture | en_US |
thesis.degree.program | Obecná teorie a dějiny umění a kultury | cs_CZ |
uk.thesis.type | dizertační práce | cs_CZ |
uk.taxonomy.organization-cs | Filozofická fakulta::Ústav pro dějiny umění | cs_CZ |
uk.taxonomy.organization-en | Faculty of Arts::Institute of Art History | en_US |
uk.faculty-name.cs | Filozofická fakulta | cs_CZ |
uk.faculty-name.en | Faculty of Arts | en_US |
uk.faculty-abbr.cs | FF | cs_CZ |
uk.degree-discipline.cs | Dějiny výtvarného umění | cs_CZ |
uk.degree-discipline.en | History and Visual Arts | en_US |
uk.degree-program.cs | Obecná teorie a dějiny umění a kultury | cs_CZ |
uk.degree-program.en | Theory and History of Arts and Culture | en_US |
thesis.grade.cs | Prospěl/a | cs_CZ |
thesis.grade.en | Pass | en_US |
uk.abstract.en | The aim of this dissertation is to direct attention towards differential way of approaching spaces of art, on the basis of Lefebvrian space production. But the space production in question is just one aspect which cannot be isolated from the wider social environment. While differential spaces of art seem to be - in theory at least- an ideal place for discussion within recent debates on representation, culture, identity and so on, they have nevertheless been relatively isolated from these perspectives. The main reason is that it is impossible to analyze the actual production of differential spaces. lt is possible, however, to elucidate and expose the production and the product - space (they are inevitably connected) - through first-hand experiences (participation), and through secondary sources such as documentary materials, newspaper articles, interviews etc. Production of differential spaces of art can be recognized in the following spatialities: appropriated spaces, embodied spaces, spaces of the so called "third sector", and inner spaces of mind, to name the examples described in the dissertation. lt also seeks answers to questions: what is specific to the production of differential spaces of art? What is the relationship between different spatialities? Between differential spaces of art and the... | en_US |
uk.file-availability | V | |
uk.publication.place | Praha | cs_CZ |
uk.grantor | Univerzita Karlova, Filozofická fakulta, Ústav pro dějiny umění | cs_CZ |
thesis.grade.code | P | |
dc.identifier.lisID | 990006250870106986 | |