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Umělecké prostory mimo institucionální rámce: diferenciální prostory umění
dc.contributor.advisorWittlich, Petr
dc.creatorPiškur, Bojana
dc.date.accessioned2018-10-30T02:09:59Z
dc.date.available2018-10-30T02:09:59Z
dc.date.issued2006
dc.identifier.urihttp://hdl.handle.net/20.500.11956/3569
dc.description.abstractThe aim of this dissertation is to direct attention towards differential way of approaching spaces of art, on the basis of Lefebvrian space production. But the space production in question is just one aspect which cannot be isolated from the wider social environment. While differential spaces of art seem to be - in theory at least- an ideal place for discussion within recent debates on representation, culture, identity and so on, they have nevertheless been relatively isolated from these perspectives. The main reason is that it is impossible to analyze the actual production of differential spaces. lt is possible, however, to elucidate and expose the production and the product - space (they are inevitably connected) - through first-hand experiences (participation), and through secondary sources such as documentary materials, newspaper articles, interviews etc. Production of differential spaces of art can be recognized in the following spatialities: appropriated spaces, embodied spaces, spaces of the so called "third sector", and inner spaces of mind, to name the examples described in the dissertation. lt also seeks answers to questions: what is specific to the production of differential spaces of art? What is the relationship between different spatialities? Between differential spaces of art and the...en_US
dc.languageEnglishcs_CZ
dc.language.isoen_US
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.titleArt spaces outside institutional frames: differential spaces of arten_US
dc.typedizertační prácecs_CZ
dcterms.created2006
dcterms.dateAccepted2006-03-01
dc.description.departmentInstitute of Art Historyen_US
dc.description.departmentÚstav pro dějiny uměnícs_CZ
dc.description.facultyFilozofická fakultacs_CZ
dc.description.facultyFaculty of Artsen_US
dc.identifier.repId135605
dc.title.translatedUmělecké prostory mimo institucionální rámce: diferenciální prostory uměnícs_CZ
dc.contributor.refereePachmanová, Martina
dc.contributor.refereeLahoda, Vojtěch
dc.identifier.aleph000625087
thesis.degree.namePh.D.
thesis.degree.leveldoktorskécs_CZ
thesis.degree.disciplineHistory and Visual Artsen_US
thesis.degree.disciplineDějiny výtvarného uměnícs_CZ
thesis.degree.programTheory and History of Arts and Cultureen_US
thesis.degree.programObecná teorie a dějiny umění a kulturycs_CZ
uk.thesis.typedizertační prácecs_CZ
uk.taxonomy.organization-csFilozofická fakulta::Ústav pro dějiny uměnícs_CZ
uk.taxonomy.organization-enFaculty of Arts::Institute of Art Historyen_US
uk.faculty-name.csFilozofická fakultacs_CZ
uk.faculty-name.enFaculty of Artsen_US
uk.faculty-abbr.csFFcs_CZ
uk.degree-discipline.csDějiny výtvarného uměnícs_CZ
uk.degree-discipline.enHistory and Visual Artsen_US
uk.degree-program.csObecná teorie a dějiny umění a kulturycs_CZ
uk.degree-program.enTheory and History of Arts and Cultureen_US
thesis.grade.csProspěl/acs_CZ
thesis.grade.enPassen_US
uk.abstract.enThe aim of this dissertation is to direct attention towards differential way of approaching spaces of art, on the basis of Lefebvrian space production. But the space production in question is just one aspect which cannot be isolated from the wider social environment. While differential spaces of art seem to be - in theory at least- an ideal place for discussion within recent debates on representation, culture, identity and so on, they have nevertheless been relatively isolated from these perspectives. The main reason is that it is impossible to analyze the actual production of differential spaces. lt is possible, however, to elucidate and expose the production and the product - space (they are inevitably connected) - through first-hand experiences (participation), and through secondary sources such as documentary materials, newspaper articles, interviews etc. Production of differential spaces of art can be recognized in the following spatialities: appropriated spaces, embodied spaces, spaces of the so called "third sector", and inner spaces of mind, to name the examples described in the dissertation. lt also seeks answers to questions: what is specific to the production of differential spaces of art? What is the relationship between different spatialities? Between differential spaces of art and the...en_US
uk.file-availabilityV
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Filozofická fakulta, Ústav pro dějiny uměnícs_CZ
thesis.grade.codeP
dc.identifier.lisID990006250870106986


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