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The rococo aestetics in the Marivaux's dramas
Rokoková estetika v Marivauxových dramatech
dc.contributor.advisorPohorský, Aleš
dc.creatorOčenáš, Marek
dc.date.accessioned2017-04-26T21:41:22Z
dc.date.available2017-04-26T21:41:22Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/20.500.11956/32750
dc.description.abstractVe srovnani s nadrazenosti klasicismu byly umeni a literatura XVIII. stoleti shledavany dekadentnimi jiz v dobe svého vzniku. Dekorativni st yI, jenz byl v mode v prvni polovine stoleti, byl oznacovan jako "rocaille", slovem, které dalo pozdeji zaklad nazvu "rococo" odvozenému od "baroco"; tento pojem odkazuje k nepravidelnosti, nerovnomernosti. Dobov)' kvetnaty "milostny st yI" by-va proto ve Francii také oznacovan i jako "pozdni baroko". Tento pojem vsak nevyhovuje, protoze nova doba nehleda odkaz v nadpozemském svete, ale s durazem na sensibilitu jedince se pfiklani k pozemsky-m radostem, které je potreba obmeiiovat, a vyhnout se tak jednotvamosti. Odchylujic se navic od klasicistnich norem stoleti KraIe Slunce, umeni prvni poloviny XVIII. stoleti ziskava symboliku stejne odlisnou od té barokni i v literatille, ackoli nekteré tendence jsou vlastni obema stylum.cs_CZ
dc.description.abstractIn cornparison to the superiority of c1assicisrn, the art and the literature of 18th century were considered decadent already during the period of its inception. The decorative style which was fashionable in the first half of this century was called "rocaille". The name of "rococo style" was created by putting together two words "rocaille" and "baroco" (baroque). This term refers to irregularity and to non-uniformity. That's why the current tlowery love style of language is titled also "late baroque style" in France. This term isn't convenient, because nowadays people aren't used to tum to supematural world, but by putting accent on sensibility of individual they prefer earthly joys that need to be changed to avoid uniformity. By diverging frorn c1assicist roles of the Louis XIV's century, the art of the first half of 18th century differs frorn the baroque style also in the literature, even though sorne tendencies are the same in both styles. In the 60's of 20th century, there are sorne literary works whose authors are trying to justify validity of rococo style also in the literature, as its decorative style was already acknowledged by historians of art. Following these innovating thoughts and the study frorn Jean Weisgerber, the purpose ofthis dissertation is to prove the originality of the literature of...en_US
dc.languageFrenchcs_CZ
dc.language.isofr_FR
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.titleL'Esthétique rococo dans le théâtre de Marivauxfr_FR
dc.typediplomová prácecs_CZ
dcterms.created2010
dcterms.dateAccepted2010-09-21
dc.description.departmentInstitute of Romance Studiesen_US
dc.description.departmentÚstav románských studiícs_CZ
dc.description.facultyFaculty of Artsen_US
dc.description.facultyFilozofická fakultacs_CZ
dc.identifier.repId71815
dc.title.translatedThe rococo aestetics in the Marivaux's dramasen_US
dc.title.translatedRokoková estetika v Marivauxových dramatechcs_CZ
dc.contributor.refereeJamek, Václav
dc.identifier.aleph001449702
thesis.degree.nameMgr.
thesis.degree.levelmagisterskécs_CZ
thesis.degree.disciplineFrench Studiesen_US
thesis.degree.disciplineFrancouzštinacs_CZ
thesis.degree.programPhilologyen_US
thesis.degree.programFilologiecs_CZ
uk.faculty-name.csFilozofická fakultacs_CZ
uk.faculty-name.enFaculty of Artsen_US
uk.faculty-abbr.csFFcs_CZ
uk.degree-discipline.csFrancouzštinacs_CZ
uk.degree-discipline.enFrench Studiesen_US
uk.degree-program.csFilologiecs_CZ
uk.degree-program.enPhilologyen_US
thesis.grade.csVýborněcs_CZ
thesis.grade.enExcellenten_US
uk.abstract.csVe srovnani s nadrazenosti klasicismu byly umeni a literatura XVIII. stoleti shledavany dekadentnimi jiz v dobe svého vzniku. Dekorativni st yI, jenz byl v mode v prvni polovine stoleti, byl oznacovan jako "rocaille", slovem, které dalo pozdeji zaklad nazvu "rococo" odvozenému od "baroco"; tento pojem odkazuje k nepravidelnosti, nerovnomernosti. Dobov)' kvetnaty "milostny st yI" by-va proto ve Francii také oznacovan i jako "pozdni baroko". Tento pojem vsak nevyhovuje, protoze nova doba nehleda odkaz v nadpozemském svete, ale s durazem na sensibilitu jedince se pfiklani k pozemsky-m radostem, které je potreba obmeiiovat, a vyhnout se tak jednotvamosti. Odchylujic se navic od klasicistnich norem stoleti KraIe Slunce, umeni prvni poloviny XVIII. stoleti ziskava symboliku stejne odlisnou od té barokni i v literatille, ackoli nekteré tendence jsou vlastni obema stylum.cs_CZ
uk.abstract.enIn cornparison to the superiority of c1assicisrn, the art and the literature of 18th century were considered decadent already during the period of its inception. The decorative style which was fashionable in the first half of this century was called "rocaille". The name of "rococo style" was created by putting together two words "rocaille" and "baroco" (baroque). This term refers to irregularity and to non-uniformity. That's why the current tlowery love style of language is titled also "late baroque style" in France. This term isn't convenient, because nowadays people aren't used to tum to supematural world, but by putting accent on sensibility of individual they prefer earthly joys that need to be changed to avoid uniformity. By diverging frorn c1assicist roles of the Louis XIV's century, the art of the first half of 18th century differs frorn the baroque style also in the literature, even though sorne tendencies are the same in both styles. In the 60's of 20th century, there are sorne literary works whose authors are trying to justify validity of rococo style also in the literature, as its decorative style was already acknowledged by historians of art. Following these innovating thoughts and the study frorn Jean Weisgerber, the purpose ofthis dissertation is to prove the originality of the literature of...en_US
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Filozofická fakulta, Ústav románských studiícs_CZ


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