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Genre painting of the 17th and early 18th centuries in Bohemia
dc.contributor.advisorHoryna, Martin
dc.creatorRousová, Andrea
dc.date.accessioned2018-10-29T19:28:12Z
dc.date.available2018-10-29T19:28:12Z
dc.date.issued2010
dc.identifier.urihttp://hdl.handle.net/20.500.11956/31597
dc.description.abstractTema pn'ice "Zanrova malba 17. a pocatku 18. stoleti v Cechach" bylo zvoleno pfedevsim z toho duvodu, ze se doposud nikdo z badatelu teto problematice nevenoval. Prace tedy poprve mapuje situaci na umelecke scene, a to z nekolika lihlu pohledu, pficemz stezejni je poznani 0 zanrovych dflech umelcu pracujicich v Cechach obdobi raneho, a pfedevsim vrcholneho baroka. Pfedtim ale bylo tfeba definovat zanrovou malbu jako takovou, nebot' od jejiho vymezeni se pote odvijel vyber del, ktera v praci oznacuji za zanrova. Stirn souvisi take blizsi pfedstaveni problematiky ikonografie a ikonologie zanrove malby a to i z hlediska vyvoje interpretace pfednich specialistu na tuto diskutovanou oblast. Pozornost je venovana take zminkam 0 zanrove malbe v komentarich historiografU, maliru, teoretiku umeni a dalSich autoru od doby antiky po zaver 17. stoleti, nebot' z nich krome jineho vyplyva, ze tato kategorie nestala v popfedi jejich zajmu a staveli se k ni temer vyhradne kriticky. Na pfikladu sberatelstvi doby 17. a 18. stoleti je vsak prezentovan opacny pfistup, nebot' pocetne zastoupeni zanrove malby ve sbirkach at' uz aristokratickych, mest'anskych Ci klasternich poukazuje na jeji nesmirnou oblibu. Umelecke kolekce slouzily take jako zdroje inspirace pro mnohe z malifu pusobicich v Cechach, nebot' v nich byli pocetne...cs_CZ
dc.description.abstractThe theme of the thesis "Genre Painting of the 1 i h and early 18th Centuries in Bohemia" was primarily selected due to the fact that until now none of the scholars had attended to this topic. Therefore the thesis for the first time surveys the situation on the art scene and straightaway from several points of view. Pivotal is the recognition of genre paintings by artists working in Bohemia during the period of Early and mainly High Baroque. However, firstly it was necessary to circumscribe the genre painting as such because this determination was fundamental in selecting the works that I labelled as genre. To this also relates the deeper introduction into the iconography and iconology of genre painting, rendered at the same time from the standpoint of the progress of interpretation of prominent experts in the discussed topic. The attention is paid to the references of genre painting in the commentaries of historiographers, painters, art theorists and further authors from Antiquity to the end of the 1 i h century as well. From them, among other things, it is clear that this category was not in the centre of their attention and their attitude to the genre painting was practically solely critical. The opposite attitude, however, is presented through the example of 1 i h and 18th centuries collecting....en_US
dc.languageČeštinacs_CZ
dc.language.isocs_CZ
dc.publisherUniverzita Karlova, Filozofická fakultacs_CZ
dc.titleŽánrová malba 17. a počátku 18. století v Čecháchcs_CZ
dc.typedizertační prácecs_CZ
dcterms.created2010
dcterms.dateAccepted2010-09-21
dc.description.departmentInstitute of Art Historyen_US
dc.description.departmentÚstav pro dějiny uměnícs_CZ
dc.description.facultyFilozofická fakultacs_CZ
dc.description.facultyFaculty of Artsen_US
dc.identifier.repId24498
dc.title.translatedGenre painting of the 17th and early 18th centuries in Bohemiaen_US
dc.contributor.refereeKonečný, Lubomír
dc.contributor.refereeMádl, Martin
dc.identifier.aleph001403207
thesis.degree.namePh.D.
thesis.degree.leveldoktorskécs_CZ
thesis.degree.disciplineHistory and Visual Artsen_US
thesis.degree.disciplineDějiny výtvarného uměnícs_CZ
thesis.degree.programTheory and History of Arts and Cultureen_US
thesis.degree.programObecná teorie a dějiny umění a kulturycs_CZ
uk.thesis.typedizertační prácecs_CZ
uk.taxonomy.organization-csFilozofická fakulta::Ústav pro dějiny uměnícs_CZ
uk.taxonomy.organization-enFaculty of Arts::Institute of Art Historyen_US
uk.faculty-name.csFilozofická fakultacs_CZ
uk.faculty-name.enFaculty of Artsen_US
uk.faculty-abbr.csFFcs_CZ
uk.degree-discipline.csDějiny výtvarného uměnícs_CZ
uk.degree-discipline.enHistory and Visual Artsen_US
uk.degree-program.csObecná teorie a dějiny umění a kulturycs_CZ
uk.degree-program.enTheory and History of Arts and Cultureen_US
thesis.grade.csProspěl/acs_CZ
thesis.grade.enPassen_US
uk.abstract.csTema pn'ice "Zanrova malba 17. a pocatku 18. stoleti v Cechach" bylo zvoleno pfedevsim z toho duvodu, ze se doposud nikdo z badatelu teto problematice nevenoval. Prace tedy poprve mapuje situaci na umelecke scene, a to z nekolika lihlu pohledu, pficemz stezejni je poznani 0 zanrovych dflech umelcu pracujicich v Cechach obdobi raneho, a pfedevsim vrcholneho baroka. Pfedtim ale bylo tfeba definovat zanrovou malbu jako takovou, nebot' od jejiho vymezeni se pote odvijel vyber del, ktera v praci oznacuji za zanrova. Stirn souvisi take blizsi pfedstaveni problematiky ikonografie a ikonologie zanrove malby a to i z hlediska vyvoje interpretace pfednich specialistu na tuto diskutovanou oblast. Pozornost je venovana take zminkam 0 zanrove malbe v komentarich historiografU, maliru, teoretiku umeni a dalSich autoru od doby antiky po zaver 17. stoleti, nebot' z nich krome jineho vyplyva, ze tato kategorie nestala v popfedi jejich zajmu a staveli se k ni temer vyhradne kriticky. Na pfikladu sberatelstvi doby 17. a 18. stoleti je vsak prezentovan opacny pfistup, nebot' pocetne zastoupeni zanrove malby ve sbirkach at' uz aristokratickych, mest'anskych Ci klasternich poukazuje na jeji nesmirnou oblibu. Umelecke kolekce slouzily take jako zdroje inspirace pro mnohe z malifu pusobicich v Cechach, nebot' v nich byli pocetne...cs_CZ
uk.abstract.enThe theme of the thesis "Genre Painting of the 1 i h and early 18th Centuries in Bohemia" was primarily selected due to the fact that until now none of the scholars had attended to this topic. Therefore the thesis for the first time surveys the situation on the art scene and straightaway from several points of view. Pivotal is the recognition of genre paintings by artists working in Bohemia during the period of Early and mainly High Baroque. However, firstly it was necessary to circumscribe the genre painting as such because this determination was fundamental in selecting the works that I labelled as genre. To this also relates the deeper introduction into the iconography and iconology of genre painting, rendered at the same time from the standpoint of the progress of interpretation of prominent experts in the discussed topic. The attention is paid to the references of genre painting in the commentaries of historiographers, painters, art theorists and further authors from Antiquity to the end of the 1 i h century as well. From them, among other things, it is clear that this category was not in the centre of their attention and their attitude to the genre painting was practically solely critical. The opposite attitude, however, is presented through the example of 1 i h and 18th centuries collecting....en_US
uk.file-availabilityV
uk.publication.placePrahacs_CZ
uk.grantorUniverzita Karlova, Filozofická fakulta, Ústav pro dějiny uměnícs_CZ
thesis.grade.codeP
dc.identifier.lisID990014032070106986


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