Autobiographische Fragmente in der modernen deutschen Literatur: Selbstinszenierungen des Ich in den Grenzfällen des Autobiographischen

Abstract

Autobiograficke fragmenty z konce 19. a plVlli poloviny 20. stoleti, ktere vymezuje a analyzuje tato pnice, ukazuji mozne pi'istupy ke krizi subjektu a krizi jazyka v moderne a jejich promitnuti do zanru autobiografie. Experimentalni texty, jejichZ autory jsou A. Stifter, Klabund, Ch. Morgenstern, H. Mann, H. Hesse, A. Döblin, G. Kaiser, H. H. Jahnn, K. Tucholsky, 1. Wassermann, C. Zuckmayer, C. Sternheim a K. Valentin, se vyznacuji komunikativni otevrenosti, ironii a vtipem; strukturou hranice a liminaIniho byti, vcetne prekracovani faktick)'ch, textovy-ch i jazykovy-ch hranic; sebeinscenaci a tematizaci a problematizaci vztahu textu a zobrazovane "skutecnosti". Tyto texty tak radikainim zpusobem dokladaji promeny mysleni moderny.

Autobiographical fragments from Late 1 9th and Early 20th Century, characterized and analyzed in this PhD thesis, demonstrate different approaches to the crisis of the subject and the language in Modernism, and how they are reflected in the gerne of the Autobiography. Experimental texts written by A. Stifter, Klabund, C. Morgenstern, H. Mann, H. Hesse, A. Döblin, G. Kaiser, H. H. Jahnn, K. Tucholsky, 1. Wassermann, C. Zuckmayer, C. Sternheim and K. Valentin are characterized by the communicative openness, irony and wit; the boarder stmcture, liminal existence and crossing of factual, textual and language boarders; self-performance and the discussion of the relation between the text and the presented "reality". They document the most important changes in the concepts of the Modernism.