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dc.contributor.authorSpitz, Malte
dc.date.accessioned2026-05-20T12:45:45Z
dc.date.available2026-05-20T12:45:45Z
dc.date.issued2026
dc.identifier.issn1803-456X
dc.identifier.urihttp://hdl.handle.net/20.500.11956/207951
dc.language.isodecs
dc.publisherUniverzita Karlova, Filozofická fakultacs
dc.subjectTown Parkcs
dc.subjectmigrationcs
dc.subjectNew York Citycs
dc.subjectPrager Montagsblattcs
dc.subjectPariscs
dc.subjectPortugalcs
dc.subjectfreedomcs
dc.title„Den Krieg hinter der Klaviatur geführt“ Hermann Grabs Flucht vom Prager Stadtpark in den New Yorker Central Parkcs
dc.typeVědecký článekcs
dcterms.accessRightsopenAccess
dcterms.licensehttp://creativecommons.org/licenses/by-nc-nd/2.0/
uk.abstract.enFor Max Brod, Hermann Grab was “undoubtedly […] destined to become the leader of the next Prague literary generation.” In 1935, the then 31-year-old author published The Town Park, in which he in lyrical prose captured his hometown city of Prague and his memories of an upper middle-class childhood during the First World War. Klaus Mann was “delighted”, for Heinz Politzer the influence of Proust, Kafka and Thomas Mann was clear; but it was just as clear how Grab progressed in this direction “in order to find his own realm.” Grab began to conquer literary Prague when the city had already become an exile for others. Those expelled from Germany as of 1933 were able to continue working in the local cultural scene, but when the swastika invaded Prague in 1939, they had to flee again. The same goes for Grab, who reached New York in December 1940, founded a music school near the Central Park and wrote about his experiences.cs
dc.publisher.publicationPlacePrahacs
uk.internal-typeuk_publication
dc.description.startPage117cs
dc.description.endPage136cs
dcterms.isPartOf.nameBrückende
dcterms.isPartOf.journalYear2025
dcterms.isPartOf.journalVolume2025
dcterms.isPartOf.journalIssue2
dcterms.isPartOf.issn2695-043X
dc.relation.isPartOfUrlhttps://bruecken.ff.cuni.cz/


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